Monthly Archives: November 2012

Introduciong RAWR: A Tiny Dino Studios Sock Club

Can I tell you how longI have wanted to do a sock yarn club?

The answer is pretty much forever.

Because who in the world does not want sock yarn to just show up in their mail box magically, month after month? I know I do.

And today, I finally added a sock yarn club to the Tiny Dino Studios Etsy Shop.

There are either 3 or 6-month subscriptions available, so go check em out.

Also, from now through Friday I am running a special special Thanksgiving sale. Enter coupon code THANKSGIVING2012 at check out and receive 25% off your entire purchase, including the new sock yarn club subscriptions.

RAWR!

Ten on Tuesday: The thankfulness edition

Ten things for which I am thankful this year:

1. My family. They are wacky and insane and sometime make me nuts (especially the mister and the kidlet), but they are never boring AND they continue to put up with me.

2. My friends. I am blessed with both a group of very close friends that I love and a wider circle of people I love to spend time with.

3. My friend Roy continues to hang on in the hospital. We will start to get a better idea this week what his long term prognosis looks like, and his doctors are still cautiously optimistic.

4. Freedom from want. We may not have everything we could possibly want, but we damn sure have everything we need, and a whole lot of the things we want. There’s far, far too many people out there who can’t say that.

5. My cats. Even when they make me want to stake them out in the yard to be coyote canapés.

6. Co-workers with a sense of humor, especially the ones who appreciate my sarcastic gallows humor self at my best (worst?).

7. Curiosity. I hope I never tire of wanting to learn and figure stuff out, and that I am lucky enough to remain surrounded by other people who are continually seeking.

8. Books. My house, it could collapse from the weight of all the books we have crammed on every horizontal surface. I love the feeling of diving into a new book.

9. Knitting. It is slow and useful and keeps my hamster brain occupied. It has brought wonderful people into my life and gives me a way to create beauty every day.

10. Cooking. Just like knitting, it is a hobby that lets me be creative and fill a essential need. It makes me happy and is its own reward.

What are you thankful for this year?

a birthday and a bug and pots and a vest and rocks and dogs with new haircuts

birthday

Boyo turned 17 recently. He wanted a batman cake, and this was what happened. I figured it was a success when his friend took a photo, and then he did too. And it was gone by morning (two boys stayed over).
bd cake (2) bd cake (1)

bugs

Look what DH found in the garden digging up potatoes…
tomato hornworm
I thought maybe it was a giant beetle grub, but our entomologist friend said it was a lepidopteran, and we quickly figured out it is a tomato hornworm (which we call tomacco hornworms), late stage pupa. The totally disgusting part is that this thing is alive. It moves. And that loopy handly thing is its mouthparts.

Ewwwww.

And totally fascinating.

pots

Dad and Linda gave us a fabulous humongous frying pan. We have been at a loss as to where to put it. The oven already holds the two 13″ and the single 8″ cast iron pans. I thought I’d get a pot rack, but the one I wanted (a simple steel bar) is actually relatively hard to find. I did finally find it, for only $16, but then there was the $12 to ship and the extra $10 because I didn’t spend enough.

And so, I bought 4 locally made wrought iron hooks (from Scottish Lion in Round Pond), only $24, and a board from Lowe’s (I got to use the jigsaw and I learned to use the router).

And so this corner,
vest 038 pot rack project (6)
was changed.

The board got up (after a miscalculation on where the stud was… but the initial series of holes in the board got plugged, shhhhhh), and even though I had an idea where the pans should go, I hadn’t marked where the hooks should be… and so…

pot rack project (7) pot rack project (10)

While I was about it all, I extended the knife slit a bit, and really sanded down that piece to the left of the stove. It gets gummy. And re-oiled the rest of the counters…
pot rack project (4) pot rack project (2) pot rack project (1)

vest

I’ve been wanting a vest… this is made with the handspun I made when I was learning to spin. I thought I might have enough yarn for a vest. Turns out, I probably have enough for three vests… I wasn’t sure at first how to close it up, but after wearing it for a day with just a pin, I realized it really needs closure and put in hooks and eyes. There’s waist shaping and short rows for the bust. I’m reasonably pleased with it, but think I might need to add pockets, because my hands keep looking for them (I have a fleece vest that fits something like this one, and it must feel familiar to my body).

vest 076 vest 104

vest 115

vest 116 vest 118

rocks!

We took a quick walk at lunch today over to the arboretum, where they have some new sculpture on display.

arboretum sculpture (2) arboretum sculpture (4)

arboretum sculpture (8) arboretum sculpture (6)
From one side it looks like a hug, from the other, a face, or a really pointy bum!

arboretum sculpture (12) arboretum sculpture (13)
Susie noted that this black spot is called an enclave. She’d seen some of this sculpture a couple days ago, with some other geologists.
arboretum sculpture (16)

Needless to say, she heard very different things from us than she did from the geologists. WHAT is that? Giant bull testicles! That’s a sexy piece. Cylons! A face! A bum! (these were not things the geologists were saying…)

This piece was made from a single piece of stone… we were strong doubters, but then we were convinced…
arboretum sculpture (18)

arboretum sculpture (20) arboretum sculpture (25)
And Sue was with us, in her hunter orange… we stuck close to her, and nobody was shot.

Pinkish beige on the outside, and black and shiny inside… remind you of anybody?
arboretum sculpture (31)

The bum (face on the other side)…
arboretum sculpture (32) arboretum sculpture (34)
Do you see those mosses growing on the granite? My guess is Andrea rupestris, but I didn’t look closely.

Oh look, they’re trucking in another piece… wonder what it is…
arboretum sculpture (39)

dogs with new haircuts

These are really lousy pictures, sorry!

clipped dogs (2) clipped dogs (3)
Zuzu begging for a toy, and Gravy coming to get one.

thankful

Getting ready for Thanksgiving… friends from far are coming, and friends from near will be here too.

We are blessed.

The Shepherd and The Shearer, Part 2

From the very beginning, Emily and I knew that we wanted to make The Shepherd and The Shearer a grand collaboration between the shepherds that grew the wool, the shearer, the designers and the knitter who brought all the pieces together to create a beautiful sweater, an entire package that featured both the yarn and the pattern that would best show it off.

So we approached two rockstar designers, and as I wrote earlier, we were pretty sure they would both say no. They both really busy and successful, but we figured it could hurt to ask.

When I tell you I nearly fainted when they both said yes, I am not exaggerating. I never allowed myself to dream that  I’d be in a position to work with Kate Davies and Kirsten Kapur.  Never never never. It’s SURREAL, y’all.

Kate Davies and Kirsten Kapur are each designing an exclusive cabled, Aran sweater, inspired by the yarn we are creating and the spirit of the project. The patterns will be named The Shepherd and The Shearer, respectively. The patterns will be either unisex or available in adult men’s and women’s sizes (we’ve left this up to the to designers).

Both patters will be featured in a numbered, soft-cover book, that will arrive with the yarn in September, 2013. The rest of the book will feature photographs and descriptions from Emily and myself of our process of getting the fiber from the fleece all the way through to the finished yarn. We’ll also have a few pics of the designers’ creative process, sketches, etc.

Every farmer who’s fleece is used for this yarn will be credited (and photographed, if they are up for it.). The book will be a complete record of the project from it’s start on the small fiber farms of the Mid-Altantic to your knitting needles. In fact, we’re leaving space for a few photos of your progress and a hero shot of your completed sweater. Think of it as a project workbook that isn’t complete until you finish the sweater.

In addition to your yarn and The Shearer and The Shepherd book, each collaborator will receive a project bag with our awesome logo on it. Cause I want to put that logo on everything.

Don’t we look like two thirds of the cast of a very special, farm-based episode of Charlie’s Angels?

Are you ready for the best part? Cause we’re not there yet. Emily and I are dedicating a portion of profits from this venture to establish a scholarship fund to send women to sheep shearing school! Shearing school itself isn’t all that expensive until you factor in travel, hotels, meals, etc. We’re going to take application and send as many women as we can to learn the fine art of shearing a sheep! 

In order to be sure that we had the yarn in hand to ship out to our collaborators by September of 2013- and that you had your sweater in time for the cold!- we had to make a deal with the mill in upfron,t and very carefully work out the timing. Emily and Erin are going to deliver the fleeces to the mill no later than June 3rd of 2013 and the mill assures me that we will have it back at the farm and ready to ship to you by September of 2013.

The yarn will undyed, and, as we are only using white fleeces, will be a traditional off-white color. When the yarn ships, we’ll start a Ravelry group with knit-a-longs for both patterns, so you won’t be totally out to sea, even if you haven’t knit a sweater or cables before.

And, of course, we will track the progress of the project from start to finish here on the blog, although we’re going to save lots of pictures for the book only.

Spots in The Shepherd and The Shearer will go on sale tomorrow morning for $250 each. This price will include the book, the project bag and enough yarn to make ONE sweater in your size. It will also cover the cost of making sure everyone involved is fairly compensated- the farmers, the mill, the designers, etc.

Since we have already committed to a total weight with the mill, we can only sell 200 spots in the project. I honestly have no idea how long it will take to sell all the spots. You may want to let Santa know ASAP that this is on your list.

As far as we can tell, no one has ever done this type of collaborative knitting project before, and Emily and I are very excited to participating with Kate Davies, Kirsten Kapur and YOU.

 

*I’ve already gotten a couple emails asking who did it: our friend CaryCanary did the artwork and the brilliant Michelle Lukezic  turned it into a brilliant logo. Just FYI, I wouldn’t take a truckload of gold for Michelle. She is a gem!

You have to hold your mouth right

IMG_9185 IMG_9186 IMG_9191

Today we did the bulk of the shopping for our Thanksgiving meal. We’ll get a couple of the really perishable things on Wednesday at the last minute. As you can see, the turkey with her brine takes up an entire shelf in the fridge. It’s nice and chilly this week so most likely it’ll be refrigerator temps outside and the turkey can loll about in her bath out there. When her fridge was this full and I was standing trying to find a spot to put something away, Grandma always advised, “you have to hold your mouth right”. I’m making my turkey stock today and spreading out much of the other prep over the next few days in hopes of having a more relaxed Thanksgiving day with time for parades and dog shows and family time.

The Big Announcement

It all started with a sweater, as these things often do.

I bought this sweater 20 years ago at a farmers market in Washington D.C. and I wear it nearly every day in the winter. I wear it to feed the sheep and work around the farm, or when I’m running errands. It’s almost like a coat for me.

When I first bought it, it wasn’t particularly soft but it has softened up a bit over the years. Most remarkably, it hasn’t pilled the way sweaters knit from softer yarns are apt to.

Last year, I brought that sweater with me when I did my yarn shop book tour, and, in nearly every yarn shop I wore it into, a customer would come up to me and say, “I want to make a sweater like that! Where can I find that yarn?” I would explain that most shops don’t carrying hard-wearing Aran weights and why, and all the knitters within earshot would protest loudly that they would absolutely buy that kind of yarn if shops sold it. Then the shop owner would point out that they had carried that kind of yarn and it never sold.

It was like being in Groundhog Day. It happened in every store I wore that sweater to.

The fact is, most knitters judge a yarn by it’s softness, not by it’s hard-wearingness. I admit I am guilty of this too. Don’t believe me? Hang out in a yarn shop for a couple of hours. Everyone who walks in will pick up a yarn they are considering and rub it on their neck to see if it’s scratchy.

The problem with this is that every garment isn’t suited to a buttery soft yarn. There are some yarns that will pill if you stare at them too hard, let alone lean against the back of a chair. The key is to select the right yarn for your project, and for a sweater like the one I’m wearing above, you need a sturdy, aran yarn. And if you live in the United States, good luck finding one.

My dear friend and sheep shearer Emily Chamelin and I lamenting this sorry state of affairs a few months ago around my dining table when we decided to do something about it. Why not start an education campaign to show knitters the value of the traditional hardy yarns?

And, while we were at it, we could have the yarn of our dreams milled to our own specifications!

And, to help the project get some legs, we could ask a couple of famous-famous designers to collaborate with us on sweater patterns to match the yarns!

And we could put the patterns in a book that documented the entire process of making the yarn, from Emily’s shearing the sheep through the milling process!

And Emily could buy the fleeces from the people she shears for!

And, since we are both women in jobs that are traditionally reserved for men, we should do something awesome with the profits that would encourage women to become shepherds and shearers!

As you can see, things very got a little out of hand. But we are shepherds, so we were able to round all and sort our ideas up fairly quickly. We did a lot of research. We had hours-long conversations with mills about process and timing. We decided to reach out to two of the most important and respected designers and ask them to collaborate with us on this project. We assumed they would both say no. They both said yes. We screamed and danced around the kitchen and asked each other if we were crazy for taking on such an enormous project.

And then we decided that we had to do this because it was too important not to do it.

 

 

Today, I am over the moon to present to you, The Shepherd and The Shearer, a collaborative knitting project.

For the details, and how you can join us, you’ll have to come back and read Part Two this afternoon. The Shepherd is out of caffeine…

 

A New Normal

We’re starting to settle into our new routines.  Going out before school in the morning to feed and check on everyone, and spend some calming, quiet time just listening to the sounds of the morning.  It’s the time where I can best observe how the puppies will interact with the flock and where they need improvement.  SO far they are doing well enough that I am letting them out with the flock all day (I’ve only had to do some minor corrections with them – this is the beauty of them having stayed with their father at Susan’s farm for so long, being trained by a seasoned guard dog).

It’s the time where I can watch the sheep and goats and see how they are faring.  It’s also a beautiful alone time just for me to enjoy before the hustle and bustle of homeschool and the activities of a very busy family.

While everyone is working on their reading I have also been busy learning.

This book is my shepherding bible.  It contains so much useful information that no one keeping sheep should be without it. I have spent the last few years learning as much as I can about sheep – and I have been crazy lucky to get so much of that hands – on experience from helping Susan whenever I could.  This book fills in many of the gaps that I feel I still have in my knowledge.  (Though, as my mentor, Susan will still expect to hear my questions from time to time….)

And yes, shut up, I AM still trying to finish my Halloween socks!

In the evenings, the kids usually like to come out and help with feeding and night check.  We make sure the water tanks are full, everyone gets their evening feeding, and that all is well.  It’s not as calm a time as the morning, but it is a lovely way to wrap up the day.

I love how sheep eat hay – head planted firmly in the bale.

I can’t tell you how much I love Milkshakes’ ridiculous beard.

Happy girl.

Jerry kept trying to photobomb everyone from directly above me.  So I turned the camera on him.

And then he decided to go show Orzo who is boss.  Orzo gladly let Jerry have that title, and wandered away to have a drink.

Soon we’ll be hauling in more fence sections to divide the pasture so we’ll have good grass this spring.  We’ll grind up more of the stumps that are still out there and Paul has designs on putting in a centralized hay hut and shelter.  It is shaping up slowly, but I am thrilled you’ll be able to watch the metamorphosis with us.

 

 


Tagged: Farm, Homeschooling

On Working with Charts

It’s obvious that I’m a big fan of charts.  I can work from line by line instructions, and there are often times I choose to do so, but I love how charts depict what your knitting should look like.

But not everyone loves them.  In fact, a fair number of people hate them.  My mom in law, despite being a very graphical learner, hates them.

However, I do think it’s worth having a working knowledge of using them, if at all possible, so you can work with patterns that are charts only.

I strongly recommend JC Briar’s book – I interviewed JC here.

Here’s a quick overview of using charts in the meantime!

******

Charts are a graphical, or visual, way of displaying a pattern.  Each stitch occupies one square of the chart.  What happens to that stitch is designated by various symbols.  Stitch patterns that use multiple stitches, such as cables, extend over the number of stitches, or squares, required to work them.

Being able to read charts allows you to use stitch dictionaries from other countries, such as Japan & Germany, without needing to understand the language.

Unfortunately, chart symbols are not standardized.  However, each chart should have an associated legend & key (often patterns, or books, will include one legend & key for all the charts in the pattern or book, which is a perfectly fine option).

If a stitch is uncommon or tricky, directions on how to work the stitch should be included (of course, ‘uncommon’ or ‘tricky’ is very subjective, and dependent on the skill level of the knitter!).

Read charts from right to left if you’re working on the right side of your knitting, and from left to right if you’re on the wrong side.  If you’re working in the round, read each line of the chart from right to left.   Basically, you’re reading the chart in the same direction you are knitting.

One thing to note that is very critical:  Symbols depict how the knitting appears from the right side.  (Rarely a designer will chart what stitches you work, regardless of whether you’re on the right or wrong side.  I find this utterly confusing for knitters, and think it negates the underlying principal of charts; that is, what is charted depicts how your knitting looks.)

If a chart is to be worked in the round, it will have the row numbers along the right edge of the chart (see example below).  If it’s to be worked flat, the wrong side row numbers will be along the left edge, and the right side row numbers along the right edge.

Repeats may be surrounded by bold lines or highlighted.  Pattern instructions will tell you how many times to work the repeat.

Many Japanese or Aran patterns, or patterns that have multiple different stitch patterns,  have individual charts for each stitch pattern.  The pattern instructions will tell you in which order to knit these.  This is especially common if the stitch patterns have different row counts.

Charts can be created in Excel, Word, Illustator or other vector based programs, or in various different charting programs (Envisioknit, StitchMastery, etc).

This little sample chart has a fair amount going on, with a cable stitch, a couple different decreases, and varying stitch counts.  It’s a stitch pattern from Annie Maloney’s Aran Lace stitch dictionary, and is one of the smaller lace cables.

I’ve shown it as worked in the round (row numbers along the right edge).  Note that there’s a ‘no stitch’ block;  the stitch count varies from row to row because of the decrease in row 4.  Note the yarnover in row 6;  that brings you back up to the original stitch count.

So, row 1 would be p1, k5, p1.  Row 2 is p1, k1, yo, k1, ssk, k1, p1.  And so on.

(If it were knitted flat, and Row 1 was a wrong side row, you would work k1, p5, k1.)

My Open Tabs

1. I hope I’m strong enough to kill wolves when I’m 56. via Gawker

2. I loved reading this piece in The Atlantic. Menschen is the only word that comes to mind, and I’m left feeling all swoontown and righteously fired-up (“Yeah! Right on! Good Dads! No more Dads-as-controllers-of-women-and-children, but Dads-as-equal-partners-and-parents!”).

3. “Before long, a clenched jaw is all she has left”: and The Atlantic on my on-screen girlfriend’s new movie.

4. Carson Ellis has a beautiful new exhibition, Mush, Mush, the Sloping Midnight Line that draws some of its themes and images from one of my favorite books, Kristin Lavransdatter. I wish I lived in Portland & could go see it!

illustration © Carson Ellis

5. All my thinking about wool has been drawing me sideways, into a parallel fiber obsession  –I’m dangerously close to going through a linen phase. It seems like wool’s warm-weather / underlayer analog–  environmentally friendlier than cotton, more old-fashioned, can be (and is) handspun (although why would you want to?), allows me to believe I’m living in a fantasy novel set both in Classical Antiquity & Northern Europe, and, um, all-around a superior fiber.

Given the recent launch of Shop Fog Linen–it’s not available only in Japan anymore!–I have a feeling that this phase might get expensive (Just Kidding but only because I am the most fiscally circumspect person I know, except for Zac and my parents). But, some thoughts:

  • They source their linen in Lithuania.
  • Every product is simple and gorgeous.
  • I’m in the tablecloth market because it’s nearly Thanksgiving and we’re having a party!
  • They sell their remnants at not-unreasonable prices, which is just about as charming as being able to buy cheap offal at the butcher counter (ie, TOP-OF-THE-CHARTS CHARMING). They get it!
  • Think I’m going to go downstairs, measure my table, and then buy a tablecloth. (and, sad note: my table was too long.)
  • Maybe these breakfast trays?

both photos © Fog Linen

6. If I ever do something very worthy (like, maybe not the full-on megala kai lampra, but maybe some sort of advanced degree?) I will buy myself one of these, never wear it in public, but put it on every morning, look in the mirror and say, “You are perfect and a goddamn genius,” then sit down to work but forget I have it on and wear it out to, like, the post office or somewhere.

Thus I will begin to make my reputation as an eccentric. via Miss Moss

photos © Pomp & Plumage

7. This post on the fighting in Israel and Gaza is acetic, ascetic, and eloquent, and goes unusually radical (Christian? not certain?) places (“Why isn’t all violence illegitimate by default? Why isn’t all life sacred, by definition?”) with a bitterly felt exhaustion. The link at the end is the most savagely I’ve felt the knife twist in a long while.

And then I saw the photos of Israeli children signing bombs (“with love from Israel”) and, the rottenness, does it end?

8. For some right-here-at-home bitterness, no need to look any further than the Times:

As she gave out diapers and cases of infant formula to storm victims, Bethany Yarrow, 41, a folk singer from Williamsburg who has been volunteering with other parents from the private school her children attend, said she was shocked by the many poor mothers in the Arverne section of the Rockaways who did not breast feed. The group, she said, was working on bringing in a lactation consultant.

That sort of response has rankled Nicole Rivera, 47, who lives in a project in Arverne, where the ocean sand still swirls up the street with every passing vehicle. “It’s sad, sometimes it’s a little degrading,”

“Why wait for tragedy?” she added. “People suffer every day with this.”

A woman standing in front of her in line interjected. “To be honest, I pray to God I never see these people again,” the woman said. “The only reason these people would be out here again for us is if something like this happens again, or worse.”

8. Some more horrible: trying to make fracking worth it up in Pennsylvania’s lovely mountains. Two summers ago, I was graciously hosted on a farm up in Trout Run while I was stranded for a a week–neighbors of the organic farmers interviewed in the article. I’m sickened. I’m worried for my own home. At least Matt Damon’s making a movie about it?

9. Polishing shoes IS MY JAM (seriously, that is what I did on Saturday night, among other things, like studying for the MCAT. and quilting). Although, cripes, just buy some Kiwi at some endcap at the Food Lion, no need to be too fancy about it.

Actually, no, I take that back. Be as fancy as you damn well please, and I will congratulate and celebrate you.

© Need Supply

I mean, look at that woman. Look at her shoes! Fancy as all-get-out.

10. To end on a happier note, this is such a wonderful game to play (although don’t click too far back in the results, or it gets insulting, and worse). Thanks to my friend Elizabeth for tweeting about it.


Birthdays and Startitis

Today is my mister’s 40th birthday. We celebrated with a little seafood dinner and then a trip to the Apple store where he got to indulge his little gadget loving heart with a new toy, which he is happily setting up right now. He’s very cute when he has new toys, and I am very happy I got to buy him one.

Me? I am battling a wicked, wicked case of startitis. My deadline project is looming large, and I realized today that my deadline is WAY closer than I think it is, which means I really should be working on it.

And after that, I have two sweaters to finish, two hats to repair, two more hats promised to other short people in my life, a sweater promised to Ms Hannah and christmas presents to finish start.

But (isn’t there always a but?), yesterday I took a wicked fun color theory class with Ann Weaver. As our project to explore our experimentation with color, we started on an Albers Cowl. I had, until yesterday, mostly avoided the pull of log cabin square projects, but this thing has completely sucked me in. It’s so charming and cunning and I am having SO MUCH FUN plotting out my colors, and now it is the only thing I want to work on.

This is going to be bad news.

My first center square, in Dragonfly Fibers Djinn Sock in “Blood Orange”. The white for the next stripe is Jill Draper Makes Stuff Splendor Sock in “Vanilla Bean” and it is simply LUSCIOUS.