Monthly Archives: June 2013

Cotton Tenants

An unexpected side effect of growing up–and a happy accident of collegiate coincidence–is that, over the past few years, I’ve become good friends with my sister. Reared in the same intellectual soil and having inherited the same idiosyncratic neural wiring, we talk fluidly, range widely. Our overlapping areas of interest (Southern culture, North Carolina history and politics, town & university history, gardens) are especially well-trodden because she’s just graduated with a degree in American Studies, her concentration in Southern Studies. I rely on her to Dante me through the black-and-white world of the past, picking out, say, the saintly congressman from the sleazy one, both of them sweating through their seersucker.

Over the past few weeks, all of these beautiful, reverent reviews (here are five of them, you ought to take a look) of James Agee’s long-thought-lost Cotton Tenants have been coming out online, and I’ve been reading and re-reading them, scanning the library catalog for a copy, pressure building, until, last Thursday, I launched a no-holds-barred pester campaign (ie, sent an email) to convince Charlotte to buy it. Of course I cracked before she did, and am holding it in trust for myself until Monday, until after my Organic Chemistry exam. At which point, I’ll spend the next few days on an Ageean Spree (third-hand pun, lowest of the low!), and start Orgo II on Thursday. I haven’t read any of his work, although I am guilty of having let people think I’ve read Famous Men (“lapidary,” “lyrical,” “baroque”).

The only thing I do know about cotton comes from The Quest of the Silver Fleece, the Alabama Stitch Book, and this one time my grandmother, before she died, pulled over on the side of the road to pick me a dried-up stalk of it; we kept that stalk in a green vase by the TV, before it was stolen. Different vantages. I’m looking forward to reading it, Monday, to talking about it with someone better-equipped to cut through to the heart of it.


Cotton Tenants

An unexpected side effect of growing up–and a happy accident of collegiate coincidence–is that, over the past few years, I’ve become good friends with my sister. Reared in the same intellectual soil and having inherited the same idiosyncratic neural wiring, we talk fluidly, range widely. Our overlapping areas of interest (Southern culture, North Carolina history and politics, town & university history, gardens) are especially well-trodden because she’s just graduated with a degree in American Studies, her concentration in Southern Studies. I rely on her to Dante me through the black-and-white world of the past, picking out, say, the saintly congressman from the sleazy one, both of them sweating through their seersucker.

Over the past few weeks, all of these beautiful, reverent reviews (here are five of them, you ought to take a look) of James Agee’s long-thought-lost Cotton Tenants have been coming out online, and I’ve been reading and re-reading them, scanning the library catalog for a copy, pressure building, until, last Thursday, I launched a no-holds-barred pester campaign (ie, sent an email) to convince Charlotte to buy it. Of course I cracked before she did, and am holding it in trust for myself until Monday, until after my Organic Chemistry exam. At which point, I’ll spend the next few days on an Ageean Spree (third-hand pun, lowest of the low!), and start Orgo II on Thursday. I haven’t read any of his work, although I am guilty of having let people think I’ve read Famous Men (“lapidary,” “lyrical,” “baroque”).

The only thing I do know about cotton comes from The Quest of the Silver Fleece, the Alabama Stitch Book, and this one time my grandmother, before she died, pulled over on the side of the road to pick me a dried-up stalk of it; we kept that stalk in a green vase by the TV, before it was stolen. Different vantages. I’m looking forward to reading it, Monday, to talking about it with someone better-equipped to cut through to the heart of it.


Words To Shop By …

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- by Joan -


Behind the Scenes at the Photo Shoot!

A quick photo post of how yesterday’s photo shoot went. Thursday we were completely rained out, but got a TON of prep work done. Friday we were up in Salem, Mass (Yup, witch city) shooting at this lovely park right on the harbor. All photos are courtesy of Brenda, one of a lovely ladies who came from all over Mass to help us. We seriously couldn’t do it without these wonderful women!

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Today we’ll be at in apple orchard in the area. I’m so keyed up I couldn’t sleep! Hopefully it won’t catch up to me too much today! Hope you are all having a lovely weekend.

 

I Declare an Official GEAP Day

Obey the Goose and be kind to yourself

About 6 months ago, I wrote a blog post about how we need to be kinder to ourselves and, because I didn’t have a picture that demonstrated that principle, I stuck in a photo of a goose eating a pumpkin. The pumpkin-eating-goose had nothing to do with the post, or with my reminder to practice self care– it was just on my desktop at the time and made me laugh.

Since then, Goose Eating a Pumpkin (or GEAP) has become our very own slang. It can mean, “Hey! Stop treating yourself like garbage!”. Or “Just say ‘thank you’ and accept a compliment.”. Or “I understand that things appear to be coming apart at the seams right now, but I am here for you. Take my hand and lets get through this together.”

So you see, a goose eating a pumpkin can be a very powerful thing. So powerful that it has it’s own t-shirt.

I have a friend who is going through some rough stuff right now. She is one of the people who knows me best in this world, family to me in all the ways that matter. I want to fix everything for her, to make everything okay, but I can’t.

So here is what I am going to do instead. I am going to be a little bit kinder, a little bit more patient with everyone I interact with today. I am going to cut everybody some slack, starting with myself.

And I’m asking you to do the same.

I herby declare today to be an officially sanctioned GEAP Day.

Act accordingly.

Strawberry Picking!!


strawberry ice-cream! my favorite summer treat!

olive oil cake w/lemon and icing, perfect w/strawberries!

Does this mean summer is really here?


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I hope so!  I went strawberry picking today since the fields opened earlier in the week.  I think it's true...perhaps summer really is here.  The strawberries say so, and I'd like to believe them.

I love eating fresh strawberries and making ice-cream with them.


Strawberry Ice-cream Recipe (adapted from the Ben & Jerry's Ice Cream & Dessert Book):
1 pint fresh strawberries (sliced, hulled)
1 tbsp lemon juice
1/3 C sugar

--- sweet cream base #1 (no eggs)
2 C whipping cream (I use soy cream)
3/4 C sugar
2/3 C half & half (I use soy milk)

Mash the strawberries, lemon juice, 1/3 C sugar, refrigerate, cover for 1 hr.
Then mix with sweet cream base until blended/pureed. Pour into ice-cream maker.  Let ice-cream maker do it's thing.  Enjoy!

As an alternative to the egg-less sweet cream base, you can also use this one with eggs:
--- sweet cream base #2 (with eggs)
2 eggs
3/4 C sugar
2 C heavy or whipping cream (I use soy cream)
1 C milk (I use soy milk)
prep this sweet cream base by beating the eggs until fluffy, slowly adding sugar, then the cream and milk.  You can cook this base at 160° F (71° C) stirring constantly if you want to prevent any chance of salmonella.  Let it cool completely in the fridge before adding the other ingredients and putting it into the ice-cream maker.


What do you like to make with fresh strawberries?

MV Flags …

Today, June 14 is Flag Day, do you know where these Vineyard flags are?

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Tabernacle – S Water St, Edgartown – pink house in Campground – Alley’s General Store – Kelley House – West Chop Lighthouse

- by Joan -


Flag Day 2013 …

Flag Day

- by Joan -


A Round Up of Knitting Tutorials

Lauria spends a whole lot of time answering emails from our sample knitters and from our customers who have questions about specific techniques called for in knitting patterns. That may not sound like a difficult task, but it can be a bit like trying to tell someone how to perform a delicate heart operation via email.

Thank God for the internet, home to some of our very favorite knitting tutorials. Here are links to some of the best.

The difference between “pick up stitches” and “pick up and knit”, and how to do both. By the Yarn Harlot, our very own high priestess.

Picking up stitches for button bands

How to pick up the right number of stitches for a button band. From Knitty.

Fixing mistakes in cable knitting without frogging back. By the Yarn Harlot. (Scroll down to find it.)

Very cool picot cast on.

Very cool picot cast on. (Not in English but the photos are pretty clear.)

Bickford Stitch - makes an invisible vertical flat seam

Bickford Stitch – makes an invisible vertical flat seam. I love this one!

Crocheted i-cord.

Frills and Ruffles tutorials

Everything you ever wanted to know about knitting frills and ruffles.

Set in sleeve tutorial

Want a perfect set-in-sleeve seam? Here’s how! From the brilliant Amy Herzog.

Keeping the Facing of a Sweater Flat

Keeping the Facing of a Sweater Flat. From our friends at WEBS.

Double Yarn Over

Double Yarn Overs

All kinds of increases-- a tutorial

Everything you ever wanted to know about increases. From Twist Collective.

Intro to Intarsia Knitting

An intro to Intarsia Knitting. From Purl Bee.

The Russian Bind Off

The Russian Bind Off. (Okay, I’ve never used this one but the name is so great!)

Blocking Lace: a tutorial

Our very favorite lace blocking tutorial! By Eunny Jang.

Short Rows Tutorial

Everything you ever wanted to know about short rows. From Purl Bee.

Do you have any favorite knitting or crochet tutorials? We’d love to add them to the list.

My Camera Set-up

In the comments section of the sunflower post I did last week, a couple of you asked what kind of camera I use. This is also the question I am emailed most often. I don’t think of myself as a photographer, but I am learning and I’m happy to share what I know.

Nikon D5100

My current DSLR is a Nikon D5100 . I’ve been shooting exclusively with Nikons since I made the switch to digital. I don’t really think there is much difference between Nikons and Cannons– both have their die-hard fans — but once you buy one you will probably want to stick with that brand. That’s mostly because once you’ve learned the ins and outs of a particular system you probably won’t want to start over, but also because the lens aren’t interchangeable.

I have always been really happen with my Nikons and this is my fourth DSLR. The 5100 has about a million features, most of which I will probably never use. I shoot in Aperture Priority mode most of the time, and I almost never use all the full auto bells and whistles.

Even more important than your camera is the quality of the lenses you use. The lens that come with the camera are generally pretty crappy. In fact, I strongly encourage you to buy the “body only” option of the camera and buy your lenses separately. An exception to that would be if you’re planning to use the camera primarily for taking family pictures and don’t really have any interest in capital P Photography.  (Then again, if that’s the case, you may be just as happy with a point and shoot camera.)

I primarily use a Nikon 50mm f/1.4G . I love this lens so much that it would be one of the things I grabbed if my house were on fire. It’s just a beautiful piece of equipment and it takes gorgeous pics. It can be hard to get used to using a lens with a fixed focal length if you have been using a zoom lens, but you eventually get a pretty good feel for the framing and learn to zoom with your feet.

Almost every photographer I know uses their 50 mm 1.4 almost exclusively and I predict you will too. The only other lenses I occasionally use are a Nikon 12-24mm f/4G  and a Nikon 60mm f/2.8G. The 12-24 is a wide-angle lens, and I got a screaming deal on it by buying it used. I think I paid around $400. All the sunflowers were shot with the 50 mm  and the wide-angle. The 60 mm is a macro lens and I use it occasionally for food shots.

The most important thing to know is that you don’t need to spend a lot of money on camera gear to take good pictures. I highly recommend finding a photography class in your area and learning what your current camera can do before splashing out on one with lots of fancy features. When you understand shutter speed and aperture, you can make lovely pictures almost every time. And I say this as someone who took four or five classes before I understood shutter speed and aperture.

If you live near Charlottesville, VA, I highly recommend Jen and Robert’s Take Better Pictures workshops. (They are the ones that finally made all that aperture mumbo-jumbo make sense to me.) If you live near Fort Worth, TX, Edgar at Fort Worth Camera teaches one-on-one classes that have made me into a much, much better photographer really quickly.

If you live near anywhere else, check with a reputable camera store in your area or even the community college. Once you know the basics, you’ll be amazed at what you can do! Today, is the first day of our Fall/Winter photo shoot and I am going into to this shoot with a lot more confidence than I’ve ever had before.

We’ll post some sneak peeks on Saturday.