Tag Archives: surface patterns

Working on Magic

Something clicked for me after MATS A, and that's the concept of joy in one's work.  I connected it finally with the idea of creating magic in an illustration. It's something I have struggled with for a long time, and am always working on.  So, this past week, I made it a point to focus on this element and re-work some past illustrations.

I started with my sketches from the Global Talent Search back in 2013.  I loved my sketches for this project, but ended up submitting something completely different and kicked myself afterward.

Anyway, I worked with this palette which I used for the competition and that I love, and it helped me focus on just having fun and making a sweet little repeat.

revamped repeat

original illustration from 2013

Next, I thought of a different concept with the playground scenario.  What if the playground animals came alive at night and had fun jumpin' around in a magical firefly forest after dark?  So, I re-inked the original sketches, illustrated all-new spring animals, and created a night-time palette to help me focus on illustrating.  Here is what I came up with:

alternate night time theme, 2015


Wouldn't it be so cool if it came in actual glow-in-the-dark fabric?  I keep thinking of a pajama set for my little guy that glows in the dark!  That would be neat!

Surface Design, Botanical #1



After taking some general online courses on Surface Design, I came upon this one by Bonnie Christine on Skillshare.  I started this project in late February, and kept a lot of detailed notes on my progress.  Can I tell you how much I've learned in the videos from Bonnie Christine's class?  It's crazy!  I have been using Adobe Illustrator for over 10 years, and I thought I knew my way around, but I learned so many new tricks in this class that I hadn't ever even thought to try!

I was humbled by the class and how much I have left to learn about design and my favorite software.

Also, as you know, I've spent all of March working on MATS projects.  So, in between my projects and the fast-pace of each week, I've been tweaking and applying my new skills to this pattern repeat.

Here's what I did for the class:





And here's the diary of my entire process...
February 23, 2015
Choose a word, short phrase... Bloom?  Blossom?  Botanical?  Not sure yet, but I think I'll go with one of those.
Favorite things in nature... red squirrels, muscari azureum (grape hyacinths, and also bluebonnets and bluebells), new leaves, buds of flowers, dogwood blossoms, peonies and round blossoms, cacti, lithops & succulents, daffodils and narcissus, orchids, etc.  Bright saturated colors.

1 colorful photograph (for palette) & 3-5 photographs (thematically related, to draw from) -- See mood board labeled "Botanical #1".  I love this bouquet I found on Pinterest.  And, I found other beautiful photographs on several photography sites.  I'm personally not that great of a photographer and so I looked on Pinterest, Flickr, and used keywords of my favorite things to find inspirational photographs.  

Mood-board Photo Origins: I searched for the origins of the peonies bouquet, but to no avail.  The leaves, curled seed pod are from photographer Alan MacKenzie a very talented wildlife photographer.  The daffodils and muscari azureum on the top right of the moodboard are from Better Homes and Gardens magazine.  And the red squirrel is from Birds in Berlin blog.




February 24, 2015: Choose 10 - 15 simple/med complex sketches  I'm thinking the squirrel, hyacinths, and the succulents will be my complex elements and perhaps I'll simplify everything else into 1 or 2 colors.  Maybe I'll use just the filled-in outline for some, and/or the line-art.  Time to play!

February 25, 2015: Digitizing the sketches
This was somewhat tedious, but in a zen-like way.  It's digital tracing using a bunch of different techniques.  Some I used my own custom brushes in Illustrator, then expanded the stroke.  Others I used the blob brush as instructed in the videos.  Then Others I used a black marker and filled in areas using my tracing table, and then scanned, and did "live trace".
March 1, 2015: Simple Repeat
Alright.  I have to say it.  This class is ROCKING my world!  I just tested my simple pattern repeat, and using my palette, I "recolored" the artwork.  To my amazement and wonder, I now have 3 colorways that I absolutely love.
What do you think?

March 4: Complex Repeat WIP  
Here's where I am with the motif for the complex repeat.  I've struggled a bit to get it where I want because one of my goals was to add texture to my work.  So, I made some textures, scanned them, etc. and got them to be vector-friendly.  Then, I learned that you can't make a pattern repeat from something with a pattern in it... so be sure to expand all your elements before trying to make a pattern from it!  I learned that after a while of trying to drag it into the swatches panel with no success.  Oops!  Lesson learned!
March 18, 2015: Complex Repeat WIP The past few weeks I've learned a few things about repeats.  I bought and read several of the books that Bonnie recommended (mastering the art of fabric printing and design & the field guide to...).  I also learned some new work-flow for Photoshop and back to Illustrator in order to add texture and correct alleys and holes  and too easily recognizable repeated motifs.

Also, I went back and re-inked some of the original motifs that felt a bit lacking, and here are the newly inked icons.

March 30, 2015 And, if you look at the version I submitted, you'll see the versions above were the ones I used.  

The next steps for this project:  
  • add more geometric/abstract patterns
  • refine the color palette
  • find a fabric manufacturer who would like to work with me to print the collection!


Picante Dirndl

When I was a kid, I loved comics.  I was a big fan of the "what-if" and alternate reality issues that comics would sometimes print.  This idea of "what if's" popped into my head as I posted about this past week's MATS Bolt Fabric Assignment, and it wouldn't let go.

What if... I did make a dirndl out of my own fabric?

I imagine it looking like this!  I used Burda's Dirndl Pattern 8448 as the basis for this visual mock-up.



I think that would be really unique to wear to Oktoberfest 2015!

Please note that I do not have any affiliation with Burda or their patterns, and I do not represent Burda or their parent company in any way.  Just an illustrator and DIY-er here.

MATS A, Week 1: Bolt Fabric

The first week of MATS (Make Art That Sells) Part A went really, really well.  I was so anxious and scared to begin with, but I felt right at home illustrating the mini, and then later the actual assignment.  My fellow classmates were super supportive, and their work is really great!  It's awesome to see what others are doing and it helps me to figure out what to tweak next.  I see how they handle certain elements within a design and it sparks a solution in me.  Lots of zeitgeist, enthusiasm, feedback, and visual inspiration!

I also like that the turnaround times are short in order to force me not to spin my wheels.  I have the tendency to overthink things if given too much time.  The deadlines of the course plus the unpredictability of the baby's toddler's schedule make for a nice sense of urgency that makes me productive!  This past Thursday night I turned in my final, and here's what it looks like...



This was the layout that I turned in, and I'd like to change certain elements moving forward, but I'm happy with the overall direction I chose.  Our mini theme was "pretty peppers and pyrex" and then the big assignment was "vintage kitchen" as the target niche.  I kind of tweaked the theme to "I love Tex Mex please join me in celebrating my love for enchiladas through the lens of 1972."

As many of you who know me already know, I lived in Texas for a few years and my husband is Texan.  His family live in the southwest and we visit nearly every year.  Here in Germany, Tex-Mex can be found, but it's not the same.  When I visit TX and NM, the food is something I enjoy very, very much (I nearly went with vintage + BBQ!).

Interestingly enough, living in Germany for so long seems to have rubbed off on me.  One of the coordinates ended up looking like one of my favorite traditional dirndl fabrics (the green/white one on the lower right).  I think it would be really cool to have a dirndl with chiles on the bodice or apron!!

Process
Mini: peppers n' pyrex
Original Mood-board


Roughs
first linocut in over 10 years!


To give you a breakdown of what I was working with, I scanned in my images and isolated roughly 80 to 90 individual icons. Once the additional category of "vintage kitchen" was given, I shopped among them for the most appropriate ones.  I had already digitized them, but not yet colored them.  Next, I added textures, finessed the little details... but there's always more to do.  If anything, I've already learned that.  The details make or break the illustration.

Thoughts on Week 1 Course Materials
I found the break-down of the assignment to be very helpful.  I love the act of chunking the work into tasty morsels, and so the structure of the class suits me well.  Most days we had a post to read, an interview to watch, skills to learn and/or industry tips and tricks to absorb.

The information given in the class materials is really specific and valuable.  This past week there were even additional workshop materials from the Art & Business of Surface Pattern Design course that I considered taking.  I think I'm in the right place because I already have a pretty good understanding of the technical aspects of making a repeat through my background experience with Illustrator and the Creative Live, Skillshare classes from Bonnie Christine and Elizabeth Olwen, and the books I read on pattern design.

But, the interview with an industry professional was invaluable.  So was the style analysis worksheet and Lilla's advice.  In short, I'm so glad to be taking this course.  It's exactly what I needed!

MATS A, Week 1: Bolt Fabric

The first week of MATS (Make Art That Sells) Part A went really, really well.  I was so anxious and scared to begin with, but I felt right at home illustrating the mini, and then later the actual assignment.  My fellow classmates were super supportive, and their work is really great!  It's awesome to see what others are doing and it helps me to figure out what to tweak next.  I see how they handle certain elements within a design and it sparks a solution in me.  Lots of zeitgeist, enthusiasm, feedback, and visual inspiration!

I also like that the turnaround times are short in order to force me not to spin my wheels.  I have the tendency to overthink things if given too much time.  The deadlines of the course plus the unpredictability of the baby's toddler's schedule make for a nice sense of urgency that makes me productive!  This past Thursday night I turned in my final, and here's what it looks like...



This was the layout that I turned in, and I'd like to change certain elements moving forward, but I'm happy with the overall direction I chose.  Our mini theme was "pretty peppers and pyrex" and then the big assignment was "vintage kitchen" as the target niche.  I kind of tweaked the theme to "I love Tex Mex please join me in celebrating my love for enchiladas through the lens of 1972."

As many of you who know me already know, I lived in Texas for a few years and my husband is Texan.  His family live in the southwest and we visit nearly every year.  Here in Germany, Tex-Mex can be found, but it's not the same.  When I visit TX and NM, the food is something I enjoy very, very much (I nearly went with vintage + BBQ!).

Interestingly enough, living in Germany for so long seems to have rubbed off on me.  One of the coordinates ended up looking like one of my favorite traditional dirndl fabrics (the green/white one on the lower right).  I think it would be really cool to have a dirndl with chiles on the bodice or apron!!

Process
Mini: peppers n' pyrex
Original Mood-board


Roughs
first linocut in over 10 years!


To give you a breakdown of what I was working with, I scanned in my images and isolated roughly 80 to 90 individual icons. Once the additional category of "vintage kitchen" was given, I shopped among them for the most appropriate ones.  I had already digitized them, but not yet colored them.  Next, I added textures, finessed the little details... but there's always more to do.  If anything, I've already learned that.  The details make or break the illustration.

Thoughts on Week 1 Course Materials
I found the break-down of the assignment to be very helpful.  I love the act of chunking the work into tasty morsels, and so the structure of the class suits me well.  Most days we had a post to read, an interview to watch, skills to learn and/or industry tips and tricks to absorb.

The information given in the class materials is really specific and valuable.  This past week there were even additional workshop materials from the Art & Business of Surface Pattern Design course that I considered taking.  I think I'm in the right place because I already have a pretty good understanding of the technical aspects of making a repeat through my background experience with Illustrator and the Creative Live, Skillshare classes from Bonnie Christine and Elizabeth Olwen, and the books I read on pattern design.

But, the interview with an industry professional was invaluable.  So was the style analysis worksheet and Lilla's advice.  In short, I'm so glad to be taking this course.  It's exactly what I needed!