Tag Archives: Writing

A Ramble (about Zombies)

I finished my horrible temp position today. I say it was horrible, but really the people were very nice. It was all the dish washing that was horrible. And the hairnets. I am thinking of learning how to tend bar just so if I am ever low on the cash, I never ever have a wear a hairnet again. On the upside, I made some friends in one of the local school districts, which in two years time when I am looking for a teaching position might come in mighty handy.

I feel jubilant that I do not have to go back tomorrow. The fear that I might not get another assignment immediately is only mildly nagging at the back of my mind. (By the way, if any one is looking for a fantastic personal assistant this summer, I am your girl!) Perhaps it is the shedding of manual labor (for now) or that my potatoes are growing like gang busters or just that it has been a year since I finished school, but I finally feel like writing again. Don’t get me wrong, I have been writing, but it was work. Now I can’t wait to get to my computer to get some words down on a bit of an essay or whatever story is in my ear today. Some days I can’t decide which project should receive highest precedence I am so excited. Right now for instance, do I work on my food essay or my zombie story? Or do I ramble like a chatterbox to my blog because I can’t settle down enough to think critically about either one? (Obviously you can see which one I chose.)

About the zombie story. . .
I have never thought that much about zombies. I mean, I watched Shaun of the Dead and 28 Days Later and a couple of Romero flicks. I understood how the idea of the zombie apocalypse was inherently frightening and exhilarating, but I have never been particularly preoccupied by them or any other monster stories. (I did read Dracula and Twilight–both as academic endeavors, one an historical perspective, one a bang my head against the desk this lady is published! brain mash–but that’s about the extent of my dabbling with monster fiction.) Then we decided to give that one zombie tv show a try. You guys, The Walking Dead is damn scary. I made it through both seasons (some nights with the unintentional help of too much wine. You know how it goes, you settle down on to the sofa with your knitting and a post-dinner glass of wine, and then dead people start eating living people and magically your glass has refilled itself and you’ve had three post-dinner glasses of wine and your knitting is completely forgotten.)

I had dreams about zombies every night for three weeks. At first they were closely related to the tv show, but eventually the became more and more individualized to me. In one of them I had one bag of food, one bag of clothes and other supplies, and one bag of yarn and fiber supplies that I lugged with me as I fled for my life. In another, on our way out of town, my posse and I stopped to raid a brand new yarn shop (opened, in the dream, by a real life friend of mine who was sadly not in my posse), which had opened just before the unfortunate onset of zombies and we hadn’t had any time to check it out yet. Being eaten alive? New yarn shop? You see the dilemma.

The latest one was Monday morning, and after I laughed at my dream, and told the fictional yarn shop owner about it so she could laugh at my dream too, I decided I needed to write about zombies. Because 21 night straight of dreaming about zombies obviously means there is some unfinished business there. Monday, I sat down and wrote about 350 words to get my story started.

I haven’t had a zombie dream since.

As I pursue my zombie story, I am going to continue my otherwise complete indifference to zombies and concentrate on writing the story. I will also continue to be amused that I am writing a story about zombies–almost out of nowhere–when I still claim my favorite novel is Jane Eyre.

Make-Believe Until You Make It


You know the old saying, “Fake it ’til you make it?”

I’ve gotten distracted by the three million other things I have to do each day, along with temptations like lounging with a good book or summer television, or just the sheer bliss of sitting on the couch with my dog and my knitting. Because, of course, one of the “advantages” of making my living with a day job is that while I might be tired when I get home at the end of the day, it affords me the luxury of not having to write–and therefore making goofing off far too easy. If I were depending on my writing to pay rent and food, I’d have more incentive for diligent behavior.

But all the while I’m sitting there happily curled up with a good book (written by someone else and therefore stress-free), my conscience is nagging me.

“You can’t be a writer if you don’t write.”

What do you do when you don’t FEEL like writing?

Do you know the trick to getting a good photo of yourself? You don’t just smile with your lips, you smile with your eyes. If your eyes don’t have that certain warmth, that indefinable twinkle, your smile is going to look fake, as if it had been plastered on. So what you do is, as the photographer is aiming the camera, you think of something that makes you want to laugh. Or you remember what it feels like to want to chuckle–your eyelids crinkle, your lips twitch with a smile, and your cheeks lift ever so slightly. Most important, everything about your face warms, lightens, brightens.

The best part is that you can fake this. If someone is pointing a camera at you in one of those forced moments where you have to stand next to someone else and smile for posterity–trick yourself into believing you’re happy to be there. Think about making your eyes look warm, happy, friendly and there you go … suddenly YOU look warm, happy and friendly. It’s all in the eyes. And in the convincing yourself that at that moment, you’re happy.

You have to convince yourself to act the way you want to be.

When I was a kid, this was easy. Nothing easier! I pretended things constantly, all day long. I didn’t just ride my bike–I was actually riding a beautiful stallion with a flowing mane and smooth gait. (Side-saddle, naturally, like a princess. I got remarkably good at riding my bike side-saddle, pedalling with only my left foot, using the toe to help pull the pedals upward.) I had imaginary friends keep me company in boring classes. They’d even walk up to the teacher’s desk during tests and peek at the answers for me. I didn’t just go for walks, I went on adventures like Frodo Baggins.

I was very seldom just my own, mundane self when I was a kid. Everything had more savor when I brought my imagination along. It was a life-saver during boring things like grocery shopping with Mom or stupid assemblies at school. And if I pretended I had magic powers to help me clean my room? It made the cleaning that much more fun.

So, why not pretend to be a “real” writer?

I finally decided that I was going to need to take extreme measures. I was going to have to take definitive, mature action and force myself to write.

I was going to have to Pretend.

What, I asked myself, would a “real” writer be doing? Would she be coming home from work and goofing off? Or would her computer be pulling her toward it constantly, like a planet pulling its satellites? During her boring day at the office, would she be browsing the internet looking for distraction? Or would she be taking every possible minute of spare time to surreptitiously type away at her article?

I decided that I was going to Pretend, just like when I was a kid, but this time I was going to pretend that I was a dedicated, driven, diligent writer. How could I let myself be distracted if a Real Writer wouldn’t? She wouldn’t have time to goof around, so why should I?

In other words, I was going to make-believe I was everything I already want to be … just, without the publishing credits I don’t have yet.

Fantasy and reality have more in common than you think.

The amazing thing? It worked. It turns out that, unlike a child pretending to play piano and just generating dissonant noise, it’s hard to pretend to type without actually producing, well, words. And producing words is what writing is, isn’t it? The more that I pretended to be this successful writer who just happened to have an inconvenient day job, the more I found myself wanting to write. Like a kid playing Detective who stumbles across a real mystery (one of my favorite kinds of books when I was younger), I found myself stumbling across interesting phrases, intriguing ideas. The characters in my novel sat up, yawning, and suddenly started calling out ideas about what they wanted to do next. My non-fiction became more engrossing and invigorating.

The best part? This little trick works for all sorts of thing. If you fake something convincingly enough, you might just find yourself doing it for real.

Oh, and while I was at it? I pretended that my Real Writer had great handwriting and perfect posture, too. I mean, why not? You never know.

Calisthenics for the Brain

I was reading an interview in Time with David McCullough (the Pulitzer Prize-winning historian, if the name doesn’t ring a bell), and this question caught my attention:

Q: We don’t write letters on paper anymore. How will this affect the study of history?

The loss of people writing–writing a composition, a letter or a report–is not just the loss for the record. It’s the loss of the process of working your thoughts out on paper, of having an idea that you would never have had if you weren’t [writing]. And that’s a handicap. People [I research] were writing letters every day. That was calisthenics for the brain.

Calisthenics for the brain. Isn’t that a fantastic image?

Because it’s true. Just like my body feels sluggish if I don’t at least get out for a walk with the dog every day, so does my brain on days it doesn’t do much.

Granted, every brain deserves a lazy Sunday curled up with a book or settled on the couch watching sports or a cheesy movie. But … you can’t forget that it’s a muscle that needs to be used, too.

Lots of people realize this already. They do crossword puzzles or play sudoku online. They read everything they can get their hands on, or watch documentaries about obscure subjects on television. They take classes at the community college and visit museums, and learn about new technology on the internet.

I mean, not everybody turns into a couch potato watching reality-tv after dinner every night, right?

But, I love McCullough’s point about the importance of working things out on paper, and how it can lead to ideas you might not have had otherwise.

There’s something to be said for the simple hand-brain coordination of moving a pen across a page. Think of all the notes you took in classes at school when the teacher’s lecture went in one ear, down past the shoulder and out the hand onto the notebook without ever pausing in the brain. And then, haven’t you ever had the experience of doodling, jotting down random, crazy, silly thoughts and then looked at your page and realized you’d just solved a problem, or done something brilliant without consciously thinking about it?

As much as I love typing on a keyboard these days–if only because it’s legible which you can’t exactly say about my handwriting–it’s still a different kind of “writing” than the kind you do with a pen. No matter how good a touch-typist you are. You can’t doodle in a word-processing program, after all.

Mind-mapping is all the rage these days, too–putting all your thoughts and ideas about a project in one place in a seemingly random order so that you can line things up and visually SEE those connections. Everybody’s brain works differently. Some of us are visual thinkers who need visual aids to understand things. Some learn best by hearing, some by reading … but ultimately it comes back to getting the ideas on our heads down on paper.

Whether that paper is made from tree pulp or pixels on a computer screen doesn’t matter, not really. It might matter to historians down the ages who are using Windows 2703-B on their brain-embedded computers and can’t access our lame attempts at digital “permanence” any more, but we can’t be concerned with them. For the moment, what matters is that we not only THINK but that we take our responsibility to record it in some fashion seriously.

Because our brains deserve the workout. Calisthenics for the brain. And the best part? Unlike heading to the gym for an hour of sweat and calorie-burning, at the end of an hour of writing–of drawing connections and getting words and thoughts on paper–you’ve got something solid to show for it.

Now, go and exercise that brain of yours. Write something!

(And, as an interesting side note, I saw this post linked on Twitter today–about the differences between writing by hand or writing by keyboard, which I thought particularly interesting as I mulled over this blog post of my own.)

What do YOU think?

Tips for People Who Hate to Write

Last time we talked about the reasons people don’t like to write.

Today, we’re going to talk about ways to help them.

  • Dictate into a recorder rather than typing. Maybe it’s the physical act of getting words out of your head and onto paper/screen that’s too intimidating. So just try doing it aloud. Countless famous writers in the history of the world have done this.
  • Imagine yourself talking to a friend, a client, or a student. Still having trouble getting the words to flow normally? Be conversational and try to think how you would tell this to someone who needs to know.
  • ACTUALLY talk to a friend, but record the session to transcribe later. (Bonus points if they can take dictation and do this for you.)
  • Take a notebook and go sit somewhere comfortable, away from the scary, empty computer screen. Sometimes just moving to a different, low-key environment helps creativity flow. Writers write in coffeehouses for a reason, you know, and it’s not just the copious amounts of caffeine. (Of course this assumes you’ll be able to read your handwriting later on)
  • Jot down notes to yourself in an email. This becomes no-pressure writing because you’re just electronically talking to yourself, but once you send the email, voila, you’ve got text that you can read and edit and tweak.
  • Get something, anything, down on the screen. Stilted phrases. Sentence fragments. Half-realized, wandering thoughts. Anything at all. Then walk away and don’t even look at it until tomorrow.
  • Then, after your writing has rested, go back and read your fragments, no matter how unstructured, and try to fill them out for people who don’t know as much as you do.
  • Ask a friend or family member to read your scribbles and make suggestions on how to fix them.
  • Pretend that everything is riding on this–your livelihood, your family, your home. If you don’t get this written, you’ll lose everything.The sun will cease to shine. Your life as you know it will end, so–you’ve GOT to do this.
  • Or, if that’s too much pressure (grin), Tell yourself that NOTHING is riding on this. You’re just idly passing the time, randomly putting words on a page just for the hell of it. No pressure.
  • Start a journal. I know. You’re having trouble writing the things you need to write and I’m suggesting a completely unnecessary journal of more writing. But, bear with me. Sometimes, all you need to do to be able to write is to PRACTICE writing. You know, somewhere it doesn’t matter in the least, and what you say doesn’t mean anything to anyone but you. The important thing is that you’ll start getting used to putting words on a page.
  • Start by describing something. What do you see outside your window? What color are the leaves? Really? Green? That’s the best you can do? What KIND of green? Are they all exactly the same color? Are they plush and healthy? Are they in direct sun so that they’re sparkling? Or in shadow? You can delete this later, but for now, just get your fingers and your brain moving.
  • Take typing lessons. Maybe part of your problem is that you don’t feel comfortable enough with a keyboard. Maybe you spend so much time hunt-and-pecking for the letters, your brain’s getting distracted by the mechanics of it. Try one of those typing-tutor programs. Even if you already know how to touch-type, you’ll improve your time and that never hurt anyone. Sometimes just getting used to hitting the keys is enough to segue from “asas asas adad adad afaf afaf agag agag” to real words.
  • Type randomly. Honestly, it doesn’t matter what you have to write. If you truly can’t get started, just type random gibberish and work on moving toward full, random sentences, and then into sentences on a topic (any topic), and then, when you’re ready, about whatever you actually should be writing in the first place. (Just, um, don’t forget to delete the gibberish later on.)

Okay … I’m tapped out. What suggestions do YOU have for people who don’t like to write, but have to?

There are People who Don’t Like to Write?

I’ve been told that there are people who don’t like to write.

I know. It was a shock to me, too.

I don’t mean that feeling that writers get when they can’t focus, or when they dread sitting down at their desks and come up with all sorts of other tasks that need to be done right this second in order to put off the inevitable. Word avoidance isn’t what I mean.

No, I’m talking about people who actually don’t like writing. At all. Any form of it. The kinds of people who can just about summon up the energy to write “Happy birthday. Love Dad” on your annual card. Or the people who write one line emails like, “I made reservations for dinner next Saturday,” and then sign it with their initials.

I’m not talking about a 15-year old, either, for whom you might be able to blame the texting thing–Kids These Days don’t know how to write full sentences, we’re told.

No, this not-liking-to-write avoidance transcends adolescence. It affects businessmen trying to write memos, mothers emailing teachers, bloggers struggling to post …

The irony is that, in this computer-driven world of ours, writing is more important than ever, and yet more and more people are completely tongue-tied when faced with a blank page (digital or otherwise).

So … what do you do?

As a person who loves words, loves writing, and (while able to procrastinate with the best of them) can usually find something to write down, it’s hard to comprehend how other people can’t summon up three consecutive sentences. For example, I might mention to, oh, my father, that I “only got 500 words written today,” and he’ll look at me speechlessly and say he can’t imagine writing that much in a month. Or, I’ll casually refer to my novel and its 90,000 words and he’ll tell me that he’s never written that many words in his life. The mere thought of being able to do so astounds him.

Now, my father (and other afflicted souls) have plenty to say. You can sit down and have lively conversations with them where they spread good advice, brilliant ideas, and generally interesting factoids about all sorts of subjects. Yet, when you say, “That’s great. You should write it down,” fear sets in.

I know, I know. Many people don’t like to read, so their familiarity with sentence structure may be weak. They not be facile with words because they’re mere nodding acquaintances. But then there are the people (like my father) who take weekly trips to the library to check out new books to read … and yet the idea of writing more than a sentence or two makes him dig in his heels and say, “I can’t!”

My question to you is … why? What makes this happen?

Next time … tips for these poor, lost individuals.