Tag Archives: Reference

Review: Top Down

Review: Top Down post image

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First, the facts:

Title: Top Down: reimagining set-in sleeve design

Author: Elizabeth Doherty

Published by: Quince & Co., 2015

Pages: 116

Type: Patterns and Techniques

Chapters:

Set-in Sleeve Basics
Patterns

KS: Top Down

The In-Depth Look:

Knitting books sponsored by yarn companies can be hit-or-miss. They’re main objective, after all, is to sell yarn, so they’re not always overly concerned for the quality of the patterns, or a well-thought-out process, so long as the finished designs photograph well.

And then there are books that make you nod and say, ‘Yes, that’s how it should be done.’

The purpose of this book is to explore different ways of knitting top-down sweaters with set-in sleeves. Pam Allen writes in the forward, “Knitting a sweater from the neck down isn’t new. Barbara Walker wrote her revolutionary book Knitting From The Top Down in 1972. But… Advantages aside, not everyone wants a raglan sweater. Some prefer the tailored look of a sweater with a classic set-in sleeve. Elizabeth Doherty, fan of both top-down knitting and set-in sleeve structure, has, through painstaking experiment, tweaked Walker’s basic picked-up set-in sleeve method to create perfect seamless sleeve caps that look and fit as nicely as any knitted from the cuff up.”

Well, as a knitter who loves knitting top-down, one-piece sweaters, this is practically a siren call. How could I resist?

What follows is Elizabeth Doherty’s exploration of sleeves and sweaters. What does a set-in sleeve need to do, how does the cap need to be shaped, how does it need to fit? For that matter, how do you fit a sweater with set-in sleeves properly? She answers all these questions with words and images to help the knitter visualize exactly what needs to happen for her own sweaters–and what she might need to tweak as she goes.

This followed by actual sweater patterns, six of them, cardigans and pullovers alike. Some are quite simple, others more complex, all are lovely, with details nicely photographed.

About my only complaint with this lovely, informative book is that the landscape-orientation is going to make it really hard to fit on my bookcase, because, yes, I plan on keeping this one around.

You can get this book at your local yarn shop or order it from Amazon.com.

Want to see bigger pictures? Click here.

This review copy was kindly donated by Quince & Co. Thank you!

My Gush: Informative!

Review: 2015 Crafter’s market

Review: 2015 Crafter’s market post image

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First, the facts:

Title: 2015 Crafter’s Market: How to Sell Your Crafts and Make a Living

Editor: Kelly M. Biscopink, Editor

Published by: Fons & Porter, 2014

Pages: 331

Type: Reference

Chapters:

  • Business Basics
  • Articles and Interviews
  • Market Listings (Industry Shows, Shows and Fairs, Online Marketplaces, Book Publishers, Magazines, Communities)
  • Indexes
KS: 2015 Crafter's Market

The In-Depth Look:

You know that “crafts” are big when they get their own marketplace book.

As a writer, I’ve been using the essential “Writer’s Market” for years to help determine where and what kind of stories I should submit. There are similar references for photographers, illustrators, agents … anyone who needs a reference on where they can sell their stuff.

But until now, there was no similar source available for crafters.

Really, it’s not surprising that Crafters are finally joining the group, though, because making and selling crafts is big business these days. And so F+W brings us the “1st annual edition” of a really fabulous reference for people making and selling their crafts.

The editor says in her introduction that, “For those crafters who want to turn their passion into their business, this book is both a starting point and a research tool. A section of articles from crafty professionals provides insight, tips and advice into business-related subjects such as branding, packaging, social media, publishing and copyright. This shrewd business advice is sprinkled with personal stories from the front lines of craft business ownership. The writers featured in this first edition of Crafter’s Market are thrilled to help up-and-coming craft professionals start, build and grow their business, and their advice will certainly help new business owners avoid some common mistakes.

As she says, the bulk of this book is listings–shows, magazines, book publishers, online marketplaces and so on. Places you can sell your stuff (and nobody can deny that that is one of the key elements to a successful craft business). The listings are broken out by category, but the indexes helpfully re-sort things for you by region or by craft. So, if you make jewelry and live in Indiana, for example, you can narrow down your list of likely craft shows without having to weed out events like the Maryland Sheep & Wool festival that don’t fit your niche.

Seriously, this is a fabulous reference book. Most people know at least some of the shows and markets available for their own particular niche. They might know about online communities to help spread the word, but nobody knows all of them. (Because, really, is that even possible?) A complete resource that tells you about shows you didn’t know about is going to be more than just a little helpful.

The business advice at the front is useful, too. This book is by no means a step-by-step legal guide–because while this book does not give legal advice, it gives helpful suggestions about the kind of legal advice you should seek out from a professional. But that’s important–if you’ve never started a business before, there are going to be zillions of things you don’t know about, so having a reference that spells out some of the things you should do is incredibly helpful.

In addition to the nitty-gritty facts, there are articles on a variety of topics–anything from creating a brand for your business, finding your niche, taking good photos to pricing your goods to writing your own craft book.

The only other book I can think of that compares to this (for knitters, at least) is Shannon Okey’s “The Knitgrrl Guide to Professional Knitwear Design,” if only because she also talks about ways to make your craft business an actual business, rather than a hobby. That book, though, focuses on making designing patterns your career. This book is all about the craft business as a whole–whether you’re selling finished products or writing articles or putting together a book or teaching classes … it’s just more inclusive. (And, of course, the Crafter’s Market is not limited to just knitters.)

Obviously this book is not just for knitters. There are listings here for jewelers, quilters, sewers, and paper-crafters as well.

The very first page promises this will be the “first annual edition,” and I couldn’t be happier about it. It’s about time we crafters had a resource like this at our fingertips!

If all this useful information sounds at all useful to you (and if you’ve got a crafting business, it certainly should, you’ll want to get a copy of this book right away!

Want to see bigger pictures? Click here.

This review copy was kindly donated by the publisher. Thank you!

My Gush: It’s about time crafters had such a great resource.

Review: Twigg Stitch

Review: Twigg Stitch post image

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First, the facts:

Title: Twigg Stitch: A New Twist on Reversible Knitting

Author: Vicki Twigg

Published by: Interweave Press, 2014

Pages: 167

Type: Totally new technique, with patterns

Chapters:

Twigg Stitch Techniques
The Projects
Stitch Dictionary

KS: Twigg Stitch

The In-Depth Look:

It’s not every knitter who gets to invent an entirely new knitting technique.

Vicki Twigg writes in her introduction that, “the inspiration for this particular stitch pattern happened in the fall of 2011. Looking at the structure of two-color rib, a technique in which the knit and purl stitches are different colors, set my mind working. I love the way the rib creates stripes that can be as dramatic or subtle as you want. … I challenged myself to see if such ribs could be double-sided so that both front and back were equally beautiful.”

With enough experimentation, she came up with a technique that created a two-sided rib fabric that was different colors on both sides … and went from there.

What follows is something that resembles brioche stitch and has similarities to double-knitting, but which is different than both of them. Twigg stitch makes a single-weight fabric and works every stitch on each row, but makes a reversible fabric that is different on both sides.

Remarkable, really. Elizabeth Zimmermann coined the word “unventing” for discovering new techniques, and here, Vicki Twigg took a happy accident and ran with it. The how-to portion of this book gives extensive instructions on how to work the Twigg stitch. She explains methods for holding the yarn (right hand, left hand, or both). She gives multiple methods for casting on and off, ways of decreasing and increasing, and working in color patterns.

There is a stitch dictionary filled with variations on the original basic rib, as well as multiple patterns for scarves, hats, and other accessories taking advantage of this nifty new technique.

You’d think after centuries of knitting, people would be running out of new ideas, but as Vicki Twigg proves here … there’s always something new to discover.

You can get your own copy at your local shop or here, at Amazon.com.

Want to see bigger pictures? Click here.

This review copy was kindly donated by Interweave Press. Thank you!

My Gush: Nothing new under the sun, and this one is unique!

Review: Viking Knits & Ancient Ornaments

Review: Viking Knits & Ancient Ornaments post image

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First, the facts:

Title: Viking Knits & Ancient Ornaments: Interlace patterns from around the world in modern knitwear

Author: Elsebeth Lavold

Published by: Trafalgar Square, 2014

Pages: 189

Type: Patterns and history

Chapters:

1. Follow the Threads
2. Read This Before You Knit
3. Loops
4. Rings & Chains
5. Little Knot and Fourknot
6. Threeknot
7. Overhand Knot
8. S-Hook
9. Braiding

KS: Viking Knits 2

The In-Depth Look:

I don’t know how it’s possible that I haven’t reviewed an Elsebeth Lavold book yet–especially her original Viking Knits, which has had an honored place on my bookcase for years. So, when I heard there was another Viking book coming out, well … I preordered my copy ages ago.

The author writes in the introduction, “Throughout my adult life, my love for needles and yarn, and their potential to expand our common ornamental heritage, has been the motivating factor to dig deeper into the technical aspects of knitting. Through the work of myself and others, Viking age decorative traditions are still relevant today, and are becoming ‘public domain’ in a similar manner as their Celtic ‘cousins.’ In the book, I analyze a great number of patterns and motifs; some from the Vikings, some Irish, and yet some from other parts of the world. I hope and believe that the simple but versatile technique I developed to create Viking Knits will extend into other ornamental traditions, making new designs possible, and inspiring people to develop their own patterns.”

What comes next as she “follows the threads,” is a wonderful interplay of history and art and knitting. She discusses basic ornamental designs and where they come from. There are photos and sketches of actual relics or ornamentation from books and stonework. All of these are accompanied by knitted reproductions, along with charts on how to make them. The depth of detail is fantastic. I’ve always loved Scandinavian designs (and Celtic ones, too), and the idea of taking their intricate carvings and turning them into something I can knit?

I love this book as much as her original.

The book is more than just the history, though. Along with great details about historical inspiration, we get patterns–sweaters mostly, but also vests, hats, scarves, bags, pillows. (I’m kind of in love with the cover sweater pattern, too.) Clearly I’ve been a fan for years, but I’m happy to say that I haven’t been disappointed. This book is just as rich in detail and inspiration as the first one.

You can get this book at Amazon.com or at your local shops

Want to see bigger pictures? Click here.

My Gush: So many gorgeous cables. (sigh)

Review: Principles of Knitting

Post image for Review: Principles of Knitting

(I know, it’s almost two months since this came out, but it’s BIG, guys! Thanks for being so patient for the review.)

First, the facts:

Title: The Principles of Knitting: Methods and Techniques of Hand Knitting, The Comprehensive and Timeless Guide

Author: June Hemmons Hiatt

Published by: Touchstone, 2012

Pages: 736

Type: How-to, Reference

Chapters:

1. Learning and Methods
2. Constructing a Fabric
3. Decorative Techniques
4. Special Fabrics
5. Stitch and Color Patterns
6. Pattern Design
7. Materials
8. Working a Project

KS Principles of Knitting

The In-Depth Look:

Settle in–this is going to be a long story.

Principles of Knitting is one of the holy grails of the knitting world. A book so hard to find, yet so wonderful, that collectors go charging (their credit cards) to the ends of the earth to get their hands on a copy.

The amazing thing is that many of the people working that hard to find it, had never even seen a copy. It somehow flew under my book-radar when it came out in 1989, because I didn’t even remember having seen it when I started hearing the buzz about how this was the be-all and end-all of knitting encyclopedias. (The Alice Starmore books had much the same mythical appeal, but at least I remember having seen those in the bookstores when I was in college–I just didn’t have the spending money to buy them at the time, though I kicked myself for decades.)

Rumor had it that Principles of Knitting was perfection in print. That it covered absolutely everything, in great detail. That it was the only knitting book you would ever need. That it was worth every penny of the $200+ it usually cost to buy it. But then there were other rumors that the author was too opinionated. That she had her preferred methods and anybodey who didn’t follow them was simply wrong. That she pretty much ignored the methods she didn’t like.

Who knew if that was true, though? With copies long-since pilfered from local libraries, it wasn’t like anybody could actually check–unless you had a far-sighted friend who’d bought a copy when she had a chance.

Then, more rumors started whispering–that the author was updating the book. This rumor lasted for years. Every time it came up with a “I heard it’s coming next year,” the calendar would change and still, there’d be no book. Finally, it showed up on Amazon.com as available for pre-order, which was a good sign, but the expected date kept getting pushed back. And pushed back. And back again.

All of which is by way of saying that the new Principles of Knitting is HERE. And looking at it, I can see exactly why it took so long.

First, the book is HUGE. (See scale photo of it sitting with several other books in my review pile. There is simply no comparison.)

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How big, you ask? 736 pages. Seven hundred thirty six. That’s 300 pages more than Alden Amos’ Big Book of Handspinning. 500 more than Vogue Knitting’s Ultimate Knitting Book. 200 pages more than the biggest cookbook in my collection (Shirley Corriher’s Cookwise). There simply is no comparison to any other book in my library, not even Harry Potter and the Deathly Hallows which might have more pages, but they’re smaller and not so densely packed.

Because, these pages are densely packed. This truly is encyclopedic in its scope because the author tries to fit in, well, everything. There are a lot of knitting techniques now that weren’t around when she wrote this book back in the 80s. (Magic Loop and knitting with two-circulars spring to mind, just to name a couple techniques.)

I can’t even begin to pretend that I’ve read this entire thing (yet). I’ve read SOME of it, certainly, and I plan to read all of it, but it’s going to take a while. (Did I mention this is a rather large book?)

So, after that lengthy introduction, what follows is a light touch on some specifics.

  • For the size, it’s relatively light. The pages are thin–I’ve heard some people got copies with torn pages because they’re fragile–so that even though there are over 700 pages, it’s not as enormous as it could be.
  • Price can be an issue. It’s publication price is $45.00 (U.S.), but sells at Amazon for $27.00. The Kindle version, though, is $19.99. Considering the size and the shelf space, I sprung for BOTH.
  • Terminology. The author likes her own names for things, and this can get confusing. Her rationale makes sense, like when she prefers not to use the word “front” because it can mean different things (the front of a sweater or the part facing you the knitter), or using “right side” to mean the part of the knitting that shows because it’s also the opposite of left side for a cardigan. Things like that. The problem is that, while her rationale makes sense and she’s consistent in her own book … there are techniques and descriptions that are hard to find because you’re thinking of them by the names you’ve heard elsewhere.
  • The tone of voice, while clear and readable, can be a bit dry. We’ve gotten used to reading how-to books that have a breezy tone, and this book doesn’t. It reads like a reference book because it IS a reference book.
  • As I said, I bought the ebook version because the paper copy is so darn huge, and am finding both have their dis/advantages. It’s easier to browse through the paper copy for techniques or ideas–especially when I’m not sure what the author is calling them. But the Kindle version is obviously easier to cart around.
  • The illustrations are on the small side. I can see why, since there is so much information crammed into these pages–who wants to waste space–but it can make it a little tricky to see. Especially on the ebook version–on my Kindle, the pictures are the size they are and it’s not possible to zoom. (I can increase the size of the text, but not the graphics.)
  • Also for the Kindle/ebook version? There are no links to help you when there’s a reference like “See Cast Ons.” And while it’s possible to navigate from the table of contents or the index, I really wish they had formatted it so that all those links were live.
  • Ultimately, this book is something of a masterpiece. I’m nowhere near done reading it yet–I think I’m about at the 20% mark on my Kindle–but I’ve already seen references to techniques I hadn’t known before. Or had only heard about. It was well worth buying. Twice.

    You can get yours from Amazon in Paper or as an eBook.

    Want to see bigger pictures? Click here.

    My Gush: Just a phenomenal piece of work.

    Review: Little Red in the City

    Post image for Review: Little Red in the City

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    First, the facts:

    Title: Little Red in the City

    Author: Ysolda Teague

    Published by: Ysolda Teague, 2011

    Pages: 261

    Type: Patterns and Techniques

    Chapters:

    1. Tools for Successful Sweaters
    2. Techniques
    3. Patterns

    KS: Little Red in the City

    The In-Depth Look:

    It’s taken me longer than I’d like to review this for you, and it’s all Ysolda’s fault. She put so much good information in this book, it took me a while to read all of it.

    That’s because there is a ton of good information in here.

    Ysolda says in the intro, “Through many conversations about choosing a size, substituting yarns, taking measurements and adapting shaping, the key thing that emerged was that most knitters would like to feel more in control when making garments, like they had a better ability to visualise what they wanted to create and actually end up with what they planned. Before getting to the patterns, the book goes through some things that I hope will help you get the results you want from both these patterns and any other garments that you want to knit.”

    Then, as promised, the book dives right into the “Tools for Successful Sweaters” section, which is pretty amazing. A lot of the details are things you’ve likely heard before–the importance of swatching, how to pick your yarn, how to adjust a pattern for fit, how to properly take measurements, things like that. Those are followed by very specific details about technique–cast-ons, short rows, buttonholes, and so on. All this before you even get to the patterns.

    And then the patterns themselves–they are a charming variety of sweaters and vests, but they’re not simple little patterns. They go into detail of not only how to make them, but they also explain the story behind the sweaters–why they’re put together as they are, how to make changes, where to make adjustments. They explain why the recommended yarn has all the right characteristics for the sweater so that, if you want to use something else, you’ll know what to look for. There’s lots of detail in here.

    Visually, this is one of the most charming knitting books I’ve seen in a while. It’s got photos and sketches and even photos with sketches IN them to make a point. There are little illustrations in the margins, and hand-written headers. Even the charts are a mix of computer-generated numbers and characters laid over a hand-drawn grid. It’s a pleasure to look at. (Kudos to the design team!)

    In addition, a purchase of the paper book comes with a free PDF download (using a code hidden under a scratch-off sticker inside the back cover). Talk about making it easy to reference when you’re away from home, or easy to get a print-out of just the pattern you’re working on.

    Ultimately, I love this book and only regret that it took me so long to TELL you about it.

    Want to see bigger pictures? Click here.

    My Gush: Worth the wait

    Review: Knitting with Two Colors

    Post image for Review: Knitting with Two Colors

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    First, the facts:

    Title: Knitting with Two Colors: Techniques for Stranded Knitting and Designing Color-Patterned Garments

    Authors: Meg Swansen & Amy Detjen

    Published by: Schoolhouse Press, 2011

    Pages: 64

    Type: Technique

    Chapters:

    1. Introduction
    2. Getting Started
    3. Garment Construction
    4. Designing Your Own
    5. Miscellaneous

    Knitting with Two Colors

    The In-Depth Look:

    You can almost always be confident, when ordering a book from Schoolhouse Press, that you’re going to get something thorough, detailed, and full of creative, useful ideas–and this book is no exception.

    The book is introduced, “Many of the following techniques were included in the book we produced with Joyce Williams in 2000, Sweaters from Camp. We have augmented that section with many more tips and tricks, both unique and gleaned. The contents are relevant to knitting with two colors as well as most other types of knitting. … We hope this book may help to sharpen your two-color skills so that none of the world’s color-knitting traditions will be out of reach–and that you may be inspired to be a designer.”

    Now, I don’t have a copy of “Sweaters from Camp” to compare to, but I’ve read lots of instructions on color-stranding in the past, and this is definitely one of the best. From generally talking about techniques and how to hold your different yarns, it moves to specifics about how to use two colors in an actual garment. What type of ribbing to use. How to use a steek. How to fit a color pattern into a garment. How to increase/decrease inside a color pattern. How to design your own sweater.

    Obviously, at 64 pages, this isn’t a book about designing. But it does tell you how to fit a color pattern into a design. This book is about what you need to know to knit with two colors, and it delivers. But it also sticks to its focus.

    This book not only has a thorough index (which you know I love), but also an index to let you know the source for each swatch shown throughout the book. This is particularly handy if you fall in love with one of them–you’ll be able to track down what garment/ pattern/ book/ designer it came from. Because there are lots of swatches shown throughout. Color ones, nonetheless. (Because who likes a knitting book with all black and white photos?)

    I’ve never read a book by Amy Detjen before, but I know Meg Swansen’s work from her books and from countless articles in Vogue Knitting and elsewhere. There’s genius at work here–or if not genius, the results of innumerable hours of knitting experience. I’ve been knitting for over 20 years and read a lot about knitting (as you probably know), and there are tips in this book I’ve never seen before. It’s small but mighty.

    You can order this little gem from Amazon, or go directly to the source at Schoolhouse Press.

    Want to see bigger pictures? Click here.

    My Gush: Small but powerful.