Tag Archives: Reviews & Interviews

Interview: Doreen Blask (Laffrenzen)

One of the things I love most about the Indie GAL (Gift-A-Long) is the chance to discover and/or promote other designers’ work. Over the course of the GAL I’ll be publishing gift-knitting related interviews with designers whose work I admire.

db-balloonDoreen Blask (Laffrenzen) publishes fabulous garment and accessory patterns. Check out her Ravelry page here.

Steph: What’s your favorite part of the GAL?
Doreen: Discovering all the new designers and adding to my to-do-list is the best part, I think. It’s also a great opportunity to get in touch with other designers.

Have you participated before this year?
No, this is the first year I’m in.

Welcome! Are you participating as a knitter? if yes, what are you planning on knitting? if no, what would you, had you the time?
I am making some toys (Cheezombie’s Seahorse Pattern and others) and if I can find the time I’ll make one or two shawls (Sand Ripples shawl and maybe the Heart on Fire by Lili Go).

Aww, thanks re: Sand Ripples! That one does take a bit of time thought. Which of your patterns do you think make the best gifts?
I think my toy patterns make great gifts for kids, especially the Cuddle Me Caterpillar , the Follow Me Mittens are great for adults 🙂

Thank you so much Doreen!

Photos © Mrsmumpitz

Don’t forget to check out the Indie Design Gift-A-Long group on Ravelry to join in the fun!

Interview: Natalie Servant

One of the things I love most about the Indie GAL (Gift-A-Long) is the chance to discover and/or promote other designers’ work. Over the course of the GAL I’ll be publishing gift-knitting related interviews with designers whose work I admire.

natserv-suburban-stationNatalie Servant publishes beautiful, art deco inspired patterns. Check out her Ravelry page here.

Steph: Hi Natalie! Thanks for being part of this interview series.  What’s your favorite part of the GAL?

Natalie: I love seeing the finished objects threads as people use this event as additional motivation to make things.

Have you participated before this year?

Yes, I’ve participated in the last couple of GALs.

Fantastic! Are you participating as a knitter? if yes, what are you planning on knitting? if no, what would you, had you the time?

Oh goodness, I’m knitting to a deadline at the moment. I’m really hoping to be done before the holidays, so in that case I’d likely pick something small to tackle: a hat, or perhaps decorations.

Which of your patterns do you think make the best gifts?

Hmm, the pattern or the finished object? Any pattern makes an excellent gift, IMO, but it depends on the knitter.

For finished objects, I think the safest thing is something that doesn’t have to fit exactly: scarves & shawls are great. Although there is at least one child in my household hoping for their own Lyle Owl Pillow.

I love that pillow, it’s so cute.  (I think, given the graphic punch of the design, it works for adults too.)  Thank you Natalie!

Don’t forget to check out the Indie Design Gift-A-Long group on Ravelry to join in the fun!

Photos © Natalie Servant

Quick Review: The Knitter’s Book of Knowledge

The Knitter’s Book of Knowledge by Debbie Bliss, Lark, 2015, $29.95, 320pp.

So many online knitting references exist: YouTube videos, blog tutorials, and so on, for just about any technique you can think of.  My first tendency if I have to double check a technique is to simply Google it.

However, one of the problems with doing an online search is that you have to know for what you’re searching: how to phrase your search to get the results you want. That’s not the easiest thing to do, especially when knitting terminology can vary.  (This is also a factor, say, if you’re trying to find something in exhaustive books such as Principle of Knitting via searching through the index).

The Knitter’s Book of Knowledge touches upon a plethora of topics, each concisely described and clearly illustrated, ranging from beginner topics (how to work a knit stitch either Continental or English) to more advanced topics (shifting colors to the right or left while working intarsia).

The layout is very easy (and enjoyable — this is a lovely book) to read and flip through.

If you’re a beginner knitter, I think this book will suit you quite well. Once you’re ready to explore more advanced techniques, this book gives you a good introduction, and the knowledge to use as a basis for learning more.  If you’re already more advanced and are a technique junkie (raising my hand), you may want more details than this book gives you; but, it serves very well as a quick reference, and often, if you’re double checking on something, that’s all you need.  Given the scope of the book (from casting on to finishing techniques and a bit of everything else in between), I think it does a fantastic job.

I received my copy from the publisher.

 

Review: Unexpected Cables by Heather Zoppetti

heather cablesUnexpected Cables: Feminine Knitted Garments Featuring Modern Cable Knitting, Interweave/F+W; $24.99, by Heather Zoppetti

Unexpected Cables is divided into three sections: Refined, Lace, and Abstract.  She notes in her intro that you won’t find boxy heavy garments; rather, she opts for a lighter feel, whether by using smaller gauge yarns and smaller cables, incorporating lace cables, or unique shaping and construction.

Refined includes several patterns (Warwick hat, Cocalico pullover) with stitch patterns reminiscent of Bavarian twisted stitches — thin traceries of 1/1 crosses against simple background.

Lace includes both Aran Lace types of stitch patterns and standard cable stitch patterns mixed with lace stitch patterns. Ronks, worked in brushed Suri alpaca, is a lovely mix of lace and cables.  Talmage, a bottom up raglan, features a cabled lace pattern.

Abstract focuses on unique construction and stitch pattern manipulation.  I love the meandering cables of the Penryn pullover and the Drumore socks.

See all the patterns on Ravelry here.

I received my copy from the publisher

 

Short Rows Knits and Guest Post by Carol Feller!

Cover short row knitsCarol Feller just published a fabulous book, Short Row Knits. It’s one of those rare books that is worth the purchase for both the techniques and the gorgeous patterns.

I’m so excited to be a part of the blog tour — and even more excited that Carol offered to do a guest blog post.  I’m really big on always trying to learn new things, and asked her to discuss her views on tackling new techniques — Steph

Carol: Learning new things is a little bit scary, at least for me! The more competent you get the more frightening it can be, you don’t want to look silly when you try something new. But that of course is the whole point of learning; if you already know it then it’s not learning! I have to keep reminding myself on a regular basis how important learning new skills is, it helps you grow as a crafter and as a person. Learning and challenging yourself keeps your brain in shape and flexible. It’s easy to get lazy about your crafting, using the same cast-on or bind-off all the time or even avoiding techniques that look like they have a steep learning curve.

For many knitter short rows falls into this category but doesn’t deserve that reputation! The basic idea of short rows is very easy; turning before you reach the end of row. Simple right? The only time things get complicated is when you’re trying to figure out how to hide that turn. This is where all of the different techniques come into play. In this book I’ve detailed 4 different ways to do short rows but you may discover your own variation that works for you. Everyone learns differently so learning several different ways of doing the same thing means that you have a chance to learn the perfect way for you. In addition to this I find that different techniques are needed for different situations, with practice you’ll quickly figure out for yourself which short row to use for your project.


All images © Joseph Feller

The best way of learning is to practice, that is why in this book I’ve got 20 different patterns that you can try out the short row methods with. Each pattern gives details of the short row method used and a few patterns even combine methods! Here are a few patterns that you can try out the different methods with, detailing why I used that method:

Atirro (http://www.ravelry.com/patterns/library/atirro) uses the Wrap & Turn method; this is knit using a heavier yarn worked at a fairly tight gauge. The short rows are used to raise the back of the neck. Wrap & turn works nicely in the round and is easy to hide for a dense fabric like this.

Frio (http://www.ravelry.com/patterns/library/frio) used the Japanese method, with a repeated wedge going from the front to the back of the hat. In this pattern I’ve suggested using a long strand of waste yarn to hold all of the yarn loops, that way you don’t have to mess around with lots of markers, a single long yarn strand can hold all the loops. The short rows in this hat form a very visible part of the design, this is why I opted for Japanese, they can be worked nice and tightly without any loose stitches around the short rows.

Arenal (http://www.ravelry.com/patterns/library/arenal) uses the yarnover method to create the toe and heel shaping for this sock. Yarnover short rows are my favorite for heels and toes. When you use short rows on socks you are creating a double short row ‘wedge’ sitting one on top of the other. The first wedge works from the widest point to the narrowest and the next ‘wedge’ works from the narrowest point back out to the widest. When you have 2 batches of short rows sitting one on top of the other you will have 2 short row wraps/yarn loops to work with your stitch instead of one. When you use yarnover short rows the yarn loop sits on your needle as a yarnover, this makes working the double short rows together with the stitch much easier as they are all sitting on your needle already!

Zapote (http://www.ravelry.com/patterns/library/zapote) uses the German method of short rows for the garter stitch hood. Garter stitch is a funny stitch to work short rows with. The ‘bumps’ on the front of the work in theory should allow all wraps from other methods to be hidden easily. However what can often happen is that the wraps distort the stitches and create gaps in the knitting. With the German method when you turn your work you pull up the stitch from the row below by twisting the stitch around the needle. This creates a double stitch that blends in very well on both sides of garter stitch. So it’s fantastic for short row garter shawls where both sides will be visible!

So if you haven’t tried short rows before, jump in, work up a swatch and find your favorite method! (For visual learners you may also like my Craftsy short row classes; the free mini Short Row class (http://www.craftsy.com/ext/shortrows) or my Essential Short Row Techniques class (www.craftsy.com/ext/CarolFeller_5010_H) ).

Note from Steph: If you’ve not seen Carol’s classes on Craftsy, definitely check them out! Her teaching style is calm and clear, and she’s lovely to listen to.

Check out the rest of the blog tour!

 

I received my copy of the book from the publisher.

Blog Tour: Tempest by Holli Yeoh

Tempest E-book Cover - FrontTEMPEST just came out, and I’m so pleased to be a part of the blog tour!

Holli graciously agreed to answer questions for my stop on the blog tour.  (Hint: Read to the bottom to see how to enter for a chance to win a PDF copy of TEMPEST).

Steph: A collection like this seems like such a huge undertaking. How long did it take you from concept to final product?

Holli: We managed to produce the book in just under 11 months. We had a hard deadline because we wanted to release the book at Knit City, Vanocuver’s “Modern Fibre Event.” Last year after Knit City I approached Felicia about collaborating on a book. It was really the perfect time for both of us. I was ready to work on a cohesive collection and Felicia was looking for a project she could focus on but leave lots of time for her new role as a mother. We complimented one another wonderfully with our different skills aside from knitwear design and hand dyeing. For instance, I enjoy working with test knitters, sample knitters, tech and copy editors and Felicia brought her business experience and graphic design skills to the table.

Now that you’ve done one, would you do another?

Absolutely! It was such an exhilarating experience working on this project. It was so exciting seeing all my design ideas come to light and turn out how I had planned them. Now the idea of working on one-off designs seems somewhat flat in comparison!

I love how you explore a stitch pattern and its variations (Watermark, First Beach, Second Beach, even Procella) in different colorways and fiber blends. Was this planned at the outset or did it grow from one pattern? (I know I sometimes fall in love with a stitch pattern and want to interpret in different ways in different projects.)

When I was in art college, during our critiques my jewellery instructor always said our designs were fine, “Now go make 10 more that build off of this first one.” She wasn’t referring to working a production line, rather she wanted us to push ourselves and our concepts further. It’s the later designs in that progression that are the really great ones and they work well as a collection. It’s not often I get a chance to work in this manner where I explore an idea to its fullest. Six of the designs in the book began from a simple stitch pattern that I pushed and pulled, stretched and compressed while I explored it (Seaswell and Third Beach as well as the ones you found!).

Exploring the stitch pattern was neither a plan from the outset not did it grow from one design. After my initial meeting with Felicia about working on a book together I began swatching and designing. I explored all sorts of ideas and pulled together probably 30 or more design proposals. One of the themes was based on that stitch pattern. Then we had a meeting and discussed the design ideas and pulled together the beginning of the collection. After that I designed a few more pieces to complement the collection and round it out.

I noticed that you started off designing with a big focus on kid’s garments, but Tempest doesn’t have any; will we be seeing a slew of self published children’s patterns now the book’s out, or is your focus changing?

I began with kids’ garments because I was a new mother and a little single-minded at the time! Once I began it was hard to break away from children’s sweaters. They are small and quick. I had easy access to models. It’s what people expected of me. For the past few years though, I’ve been freelance designing adult garments for books and magazines. I’ll continue to do both but I’ll probably focus more on adults.

What’s next? Anything else on the horizon you’d care to talk about (or can talk about)?

I’ve designed a couple of pieces for other publications that haven’t yet been published. I’ll continue to submit ideas to books and magazines. I find I’m most productive when someone else sets the deadline. Although I have to wait to fit into their timeline. Right now I’m waiting to hear back about some designs I’ve submitted. And I’m always swatching and thinking of new ideas.

Thank you, Holli, for taking the time to answer questions!
 
Would you like to a chance to win your own digital copy? Leave on a comment on this post by midnight PST November 3rd with your favorite design from the book.

Friday, Oct 17 :  Violently Domestic
Monday, Oct 20:  Tricksy Knitter
Saturday, Oct 25:  Wise Hilda Knits
Monday, Oct 27:  Sunset Cat Designs (you’re here!)
Saturday, Nov 1:  Knitting at Large
Monday, Nov 3:  Very Shannon
Saturday, Nov 8:  Sheep & Stitch
Monday, Nov 10:  Heather Zoppetti Designs
Saturday, Nov15:  Sheep to Shawl
Monday, Nov 17:  Shannon Okey
Saturday, Nov 22:  Confessions of a Yarn Addict
Monday, Nov 24:  Happy Stitches
Saturday, Nov 28:  Knit Social Event Company
Monday, Dec 1:  Miso Crafty Knits

Visit tempestknit.com to learn more, watch video tutorials, chat in the discussion forums, and to share your finished objects.  Learn more about Holli at her website, holliyeoh.com.  Check out all the gorgeous yarn from Felicia at sweetgeorgiayarns.com. Purchase the print version here and the e-book here.

I received my copy from the author.  All opinions etc are my own.

California Revival Knits: Interview with Carl Koop of Bijou Basin

If you’ve not yet tried Bijou Basin yarns…this is your chance!

Carl & Eileen have been tremendously supportive of me from the beginning of my designing career.  I’ve used their yarn for Don’t Fence Me In and, most recently, for the Undersea Garden Cowl for California Revival Knits.  (I’m also using it for a hat for Hitch & for a design in the new book.)   I met Carl at Stitches West several years ago, and we chatted for probably close to an hour about yak yarn, veterinary work (Carl’s an equine vet tech), and more.

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Stephannie:  How did you get started in this business?  How long have you been producing yarn?

Carl:  A few years ago my wife and I were looking for an agriculture based business to do an “early retirement” into. At the time I was working as a veterinary technician for an equine vet and while on a ranch call I came across some yaks.

I looked into the species, found that no one was doing a serious business with yak fiber and the next thing you know, here we are! In just two months from when I saw my first yak we had our starter herd of four animals on the ranch, a young bull and three heifers.

So far this has been a very interesting, fun and exciting business to run. It is a lot of work with a lot of hours to put in between running the ranch, and the day to day business as well as traveling to all of the shows, be are constantly learning new things, meeting new people and generally having a lot of fun.  We have been producing and selling our yarns for over five years now.

Why yaks?

We looked into a number of animals before settling on the yaks, such as sheep, alpacas, etc., but we wanted something new and different.  But different was not the only or most important aspect; we also wanted an animal that could provide a high quality product for fiber fanatics.

After I stumbled upon the yaks and began looking into their possible uses I found that the downy undercoat of the yak was considered to be as soft as cashmere, warmer than wool, and yet more breathable than wool.  It also had a number of other qualities that we thought would be appreciated by the knitting & crocheting world.

Yaks were appealing from an animal husbandry standpoint as well.  They are easy keepers, typically very disease resistant, have very little issues with calving, and are smarter than domestic cattle and each one has it’s own unique personality.

How do you choose your yarn bases and blends?

We know the wonderful characteristics of the Yak fiber and look for other fibers that complement and/or enhance them.

For example, bamboo fiber has a wonderful sheen and drape to it, however, it does not have memory and as such can be difficult or somewhat uninteresting to knit with.  When we combine 75% Yak and 25% bamboo together we end up with a wonderfully soft, and warm yarn that is a pleasure to knit with and results in garments that have exquisite drape and a natural sheen that lights up in sunlight.

What inspires your colorways?

We typically look for more natural colors.  While we appreciate and do have a number of bright and exciting colors such as our “Blush” which is a bright pink, the majority of our colors have a rich natural look such as our light blue called “Sky” or our deep green shade called “Hunter”.

The actual process of new colors starts with us collaborating with the folks at Lorna’s Laces who do all of our dying.  We give them some idea of what the new palette or palette addition should be and they then send us a number of samples.  We than have three of us, myself, my wife Eileen, and our Creative Director Marly Bird, individually review them and then select based on common likes and dislikes.  It actually is quite the process for a small company, but it is one that is very important to us so we think it is worth the time and energy

What festivals or conferences do you go to as a vendor?

This year we attended 12 different shows across the country.  Starting with Vogue Knitting Live in NYC last January to Stitches Midwest, Maryland Sheep & Wool, Rhinebeck, and ending at Stitches East at the end of October!

For a full list of the shows and where we plan to be next year your readers and look at our Events Page and they should look at it regularly as we are always adding to the list.  Currently we are planning 15 shows for 2012.  We really enjoy the shows because we get to meet our customers one on one, talk to them about their uses of our yarn, their likes and dislikes, and see their finished projects!

Shows are a lot of work, but at the same time they are a lot of fun.

How do you utilize the internet and social media as yarnie?  I notice for shows you guys do a lot of Tweeting, contests, etc.

We try to utilize social media, and the Internet as much as we can.  We have our own website, a bimonthly eMail newsletter, as well as a Facebook, Twitter and Ravelry presence, and in all of them we let our customers and friends know what is happening at the ranch, what show we will be next, what new products are coming, and most importantly when we are having sales, discounts, giveaways, etc.

We have also done some real fun things such as QR (quick response) Codes (those square blob like UPC codes) on our ads that take customers to special pages that have info on products as well as special sales and discounts.

As you noted, we also have used Twitter at shows to post “Yak Faks” randomly during the day and the first person to tell us the Yak Fak wins a prize!

Finally, we do a fair amount of advertising online as well through various blogs, eZines, etc.  We really think that the social media world is a great place for small companies like us to reach a large number of consumers.

What sort of designs are you looking for with your yarn?

We always look for classic designs that have a twist to them that will keep the design fresh and modern.  We want designs that not only look good, but are fun to knit and when the knitting is done are truly wearable garments.  We also are very aware of the characteristics of the yak yarn, such as fantastic stitch definition, softness and warmth, and always keep an eye out for designs that understand and take advantage of that.  And finally, we also try to find designs that help the customer get the most out of each skein of yarn.

What’s a typical day for you?

Here comes my only short answer: there is no typical day!  Every day can be a combination of shipping yarn, talking with retailers, working with suppliers, preparing for shows, interacting with dyers &/or designers, and of course working the ranch which sometimes takes several days in a row all by itself!

I guess the real answer to the question is “Busy, exciting, tedious, and fun!”.

What’s your favorite thing about producing yarn?  Least favorite?  I’m including all things ancillary to actual dyeing as well – so feel free to address marketing, website design, vending, etc, etc.

As far as least favorite my wife and I are split.  Eileen dislikes the accounting and bookkeeping and all of the paperwork that goes with it while I dislike any and all of the business negotiations such as advertising, suppliers, etc.  But we both agree that the best part is the interaction with our friends and customers.  Whether online or in person we really enjoy all of the people that we have met doing this venture!

Any dyeing or yarn plans for the next year you care to discuss? New bases, colorways, etc?

We have released three new yarn blends this year and are very proud and happy with all three.  We stepped out of the Yak fiber world with the first two, but definitely stayed in the luxury exotic world with both.  They are “Seraphim”, an incredible Angora yarn, and “Roslyn”, an amazingly soft Cashmere/cotton blend.  They were released earlier this year and our customers simply love them.  And just this month we released the third, a 50/50 Yak/silk blend called “Shangri-La”  and it is flying off the shelves!

And without giving away any “corporate secrets” I can say that all of  the Yak down purists out there should keep a close watch on our web site/Facebook/Twitter pages as I think they will be happy and excited with our pending “sporty and colorful” announcement!

Rosyln & Seraphim are beautiful, and I can’t wait to see some Shangri-la!  Thank you, Carl, for taking the time to answer these questions!
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Want to win a skein of Lhasa Wilderness & a copy of the Undersea Garden pattern?  Please comment on this post, by midnight PST 3 September 2012, with your favorite Bijou Basin yarn & colorway, or with what color Lhasa Wilderness in which you’d like to do your Undersea Garden!  I’ll use  Random.org to pick a winner.

California Revival Knits: Interview with Kim Kaslow of the Woolen Rabbit

I’ve long admired Kim’s subtle, rich colorways, and was thrilled she agreed to yarn support for California Revival Knits!  (Psst…she’s also doing yarn support for Hitch!)

Steph:  How did you get started in this business?  How long have you been producing &/or dyeing yarn?

Kim:  It started 15 years ago with a single German Angora rabbit which quickly grew to 15 rabbits.  I started off with dyeing angora and blending it with merino/silk fibers and slowly added yarns to the mix.  I prefer dyeing yarn, so that has been my focus for the last number of years.

How do you choose your yarn bases?  Are your having any made specifically for you?  What are your favourite fibers to work with?

Yarn bases are very important to me.  They have to be something that I would enjoy knitting and I usually prefer the more luxurious yarns.  My current favorite is my yarn base Opal, which is a blend of Cashmere, Silk and Merino.

I loved working with Opal.  What inspires your colorways?

Usually Nature.  I can take a walk on a warm Autumn day and  come home with many color patterns swirling around in my head.

What festivals or conferences do you go to as a vendor?

I don’t do too many festivals as my online store is fairly busy, which makes it hard to get away.  I currently vend at NETA SPA weekend, Fryeburg Fair, The Squam Arts Fair ,The Fiber Revival in Mass and more recently at SOAR.  I do plan to investigate vending at New Hampshire Sheep and Wool Festival this year.

How do you utilize the internet and social media as an indie dyer?

Given that the bulk of my business is done via the internet, I do try to stay in touch with people via my blog, facebook and of course, Ravelry.  I am fortunate to have a strong repeat business base of women that I really enjoy.

What’s a typical day for you?

I start out with tending to the dogs, responding to emails and breakfast, then I go out to the studio.  A typical day would be dyeing in the first part of the day, then reskeining and getting yarns boxed and ready for shipping before the post office closes.  If I have time in between, I try to squeeze in some sewing.  Evenings usually have me printing out labels, answering emails again, blogging and finally time to sit and relax with some knitting and a glass of wine.

What’s your studio like?

My husband just finished a new studio space for me in our barn.  It has a small retail space in the front, a large work table, 2 stove tops and a sink.  It’s a beautiful, bright and cheerful place to work.  Upstairs is where my electric winders, spinning equipment, looms and sewing studio live.  It is also where I keep all of my shipping supplies.  I feel amazingly fortunate to have such a wonderful space in which to work.

What’s your favorite thing about dyeing yarn?  Least favorite?  I’m including all things ancillary to actual dyeing as well – so feel free to address marketing, website design, etc, etc.

Favorite….playing with colors and seeing them evolve into colorways that make people smile.
Least favorite is reskeining yarn…..it’s always a fight it seems to get the yarn to behave on the winders, but the end result is worth the struggle.  Currently my website is giving me headaches as well…I am looking forward to having it redone once I can afford to do that.

Any dyeing or yarn plans for the next year you care to discuss?

My yarn club for 2012 had a Roaring Twenties theme.  I had 6 of my favorite designers create one pattern for each shipment.

 

Thanks Kim!
Want to have a chance to win your very own skein of Opal in the Godiva colorway?  Leave a comment on what base(s) & color(s) are your favorites from Kim’s site, The Woolen Rabbit,   on this post, by midnight PST July 30th.  I’ll use the random number generator to pick a winner.  US addresses only, please, sorry!

Book Review: 200 Fair Isle Motifs: A Knitter’s Directory by Mary Jane Mucklestone

200 Fair Isle Motifs: A Knitter’s Directory by Mary Jane Mucklestone, Interweave, 2011, 208pp.

Mary Jane Mucklestone is known for her wonderful stranded designs.

In this book, she’s swatched a plethora of motifs, charted them in various colorways, and charted many of the motifs as all over repeats.  Just the sheer amount of knitting to create all the swatches indicates this was a labor of love.

The strength of this book is not the number of motifs — you can get far more motifs in Starmore’s Charts for Color Knitting, for example.

The usefulness and value of this book is seeing the difference in color selection and how it alters the appearance of the different motifs.

It’s a fantastic take on a stitch dictionary, and incredibly inspiring.

Mary Jane sourced yarn from Jamieson’s, J&S, Elemental Affects, & Harrisville.

If you’re a stitch pattern collector, or especially if you’re designing stranded items, I recommend this book.

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I purchased my copy from the Feral Knitter.